Showing results by author "Lindsey Fitzharris" in All Categories

The Facemaker places Gillies’s ingenious surgical innovations alongside the dramatic stories of soldiers whose lives were wrecked and repaired. It also relates the work of the many doctors, nurses, artists, and orderlies who staffed Gillies’s hospital and boldly attempted to balance their obligations to the army, their patients, and science. The result is a vividly absorbing account of how medicine can be an art, and of what courage and imagination can accomplish in the presence of relentless horror.

In The Butchering Art, the historian Lindsey Fitzharris reveals the shocking world of 19th-century surgery on the eve of profound transformation. She conjures up early operating theaters - no place for the squeamish - and surgeons, working before anesthesia, who were lauded for their speed and brute strength. They were baffled by the persistent infections that kept mortality rates stubbornly high. A young, melancholy Quaker surgeon named Joseph Lister would solve the deadly riddle and change the course of history.

Get to know the ickiest illnesses that have infected humans and affected civilizations through the ages. Each chapter explores the story of a disease, including the scary symptoms, kooky cures, and brilliant breakthroughs that it spawned. Medical historian and bestselling author Lindsey Fitzharris lays out the facts with her trademark wit. Diseases covered in this audiobook include bubonic plague, smallpox, rabies, tuberculosis, cholera, and scurvy.

In The Butchering Art, historian Lindsey Fitzharris re-creates a critical turning point in the history of medicine, when Joseph Lister transformed surgery from a brutal, harrowing practice to the safe, vaunted profession we know today.

Victorian operating theatres were known as 'gateways of death', Fitzharris reminds us, since half of those who underwent surgery didn't survive the experience. This was an era when a broken leg could lead to amputation, and surgeons were still known to ransack cemeteries to find cadavers.

From the moment the first machine gun rang out over the Western Front, one thing was clear: mankind's military technology had wildly surpassed its medical capabilities. The war caused carnage on an industrial scale and the nature of trench warfare meant that thousands sustained facial injuries. In The Facemaker, award-winning historian Lindsey Fitzharris tells the true story of the pioneering plastic surgeon Harold Gillies, who dedicated himself to restoring the faces of a brutalised generation.

Em Medicina dos horrores, a historiadora Lindsey Fitzharris narra como era o chocante mundo da cirurgia do século XIX, que estava às vésperas de uma profunda transformação. A autora evoca os primeiros anfiteatros de operações—lugares abafados onde os procedimentos eram feitos diante de plateias lotadas—e cirurgiões pioneiros, cujo ofício era saudado não pela precisão, mas pela velocidade e pela força bruta, uma vez que não havia anestesia. Não à toa, os mais célebres cirurgiões da época eram capazes de amputar uma perna em menos de trinta segundos.

Grausig sind die Anfänge der Medizin: Leichenraub, blutige Operationen wie Kirmesspektakel, Arsen, Quecksilber, Heroin als verschriebene Heilmittel. Mitte des 19. Jahrhunderts ist das Unwissen der Ärzte sagenhaft, wie sie praktizieren, ein einziger Albtraum. Bis ein junger Student aus London mit seinen Entdeckungen alles verändert... Lindsey Fitzharris erzählt vom Leben dieses Mannes und vom Horror, den ein einfacher Arztbesuch damals bedeutete - schaurig, unterhaltsam, erhellend.

Lindsey Fitzharris' Buch "Der Horror der frühen Medizin" war ein internationaler Erfolg, wurde in 15 Sprachen übersetzt und stand 19 Wochen lang auf der SPIEGEL-Bestsellerliste. Mit ihrem neuen Hörbuch entführt uns die Autorin zu den grausigen Anfänge der Schönheitschirurgie: Als Harold Gillies die Verheerungen des Ersten Weltkriegs mit eigenen Augen sieht, ist er schockiert. Zu viele junge Männer werden nach nur einem falschen Augenblick ihrem Schicksal überlassen: für immer entstellt, für immer Monster in den Augen der Gesellschaft.