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What made the experience of listening to Summer of Fear the most enjoyable?
Knowing that it was a Lois Duncan novel so that even though the first 1/3 or half of the book is not as tension-filled as her books usually are, at some point things were going to get cray-zeeeee! (And they do).
What other book might you compare Summer of Fear to and why?
I think comparing it would give away too much of the plot/twists. I'll just say that it has an important and common feature of young girls' fiction: the rival female who threatens to usurp the protagonist's standing and relationships, pulling the wool over everyone's eyes except our heroine's.
Have you listened to any of Ruth Ann Phimister’s other performances before? How does this one compare?
No, I haven't. But I'll say that I disagree with those who say she sounds too old to play the teenage narrator. Would you want an actual teen voice actor? I'd argue, no, you sure wouldn't. (For an example, why not listen to Audible's own samples of the re-issued versions of some of Duncan's novels? Not only is the material in the book adulterated--sorry, "edited"--- for a post-2010 readership, but the narrators they chose are distractingly immature-sounding, with Valley Girl-esque diction and intonation. No, thanks! I'll take a middle aged or senior citizen narrator over that.)
Besides, I've never thought that the "voice" (POV, writing narrative style) of Duncan's teen girl protagonists was meant to be literally that of a young girl. If you re-read the ones with first person POV, you might see that there's always a bit of intellectual and emotional distance between the character and others in her peer group, and possibly even between the character's increasingly wise internal monologues and her gullible actions at the beginning of the book. I think an older narrator is a good choice to represent that distance in a metaphorical way.
Last point--this book was published in the mid-1970s. Listen to the female actors in movies and radio then; they spoke with more poise and clarity than the young girls of today. Nowadays a more slang-y way of speaking with a more casual haphazardness is just more socially acceptable. It's authentic to the book's time frame to have a teen protagonist voiced by someone old enough to remember the 70s and the way young women were influenced to speak then. Just my opinion/preference.
All that said though...Phimister's rendering of the hillbilly character Julia is just painful to listen to! Sounds like the croakings of a frog.
Was there a moment in the book that particularly moved you?
Yes, one of the last scenes in the book, showcasing the vindicating power of the love between parent and child. I might have felt a few tears well up.
Any additional comments?
Hooray, this book is the original one, not the reissued and altered version from the 2000s!