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Publisher's Summary

Mallory killed her boyfriend, Brian. She can't remember the details of that night but everyone knows it was self-defense, so she isn't charged. But Mallory still feels Brian's presence in her life. Is it all in her head? Or is it something more? In desperate need of a fresh start, Mallory is sent to Monroe, a fancy prep school where no one knows her . . . or anything about her past.But the feeling follows her, as do her secrets. Then, one of her new classmates turns up dead. As suspicion falls on Mallory, she must find a way to remember the details of both deadly nights so she can prove her innocence-to herself and others. In another riveting tale of life and death, Megan Miranda's masterful storytelling brings readers along for a ride to the edge of sanity and back again.
©2013 Megan Miranda (P)2013 Audible, Inc.
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Customer Reviews

Most Helpful

By Katrin on 01-02-14

Character driven suspense

What did you love best about Hysteria?

The way the author dropped a few clues here and there along the way but still kept us in the dark about what happened right up to the end.

What about Holly Fielding’s performance did you like?

She did a good job throughout the book.

Any additional comments?

Megan Miranda has written a suspenseful story, focusing on the main character's inner journey. The secondary characters are three dimentional and interesting.

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2 of 2 people found this review helpful


By Anonymous User on 06-20-17

Good story. Narrator is kind of annoying

The story was good. Keeps you guessing. The narrator swallows allot and is nasally in some parts.

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1 of 1 people found this review helpful

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Customer Reviews

Most Helpful

By Cilve on 01-09-14

what a poor read

What would have made Hysteria better?

A decent story would have helped but I regret that this was not the case

What will your next listen be?

Vicious circle

Who might you have cast as narrator instead of Holly Fielding?

nothing wrong with the narrator

You didn’t love this book--but did it have any redeeming qualities?

None

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