Regular price: $33.08
Buy Now with 1 Credit
Buy Now for $33.08
Number one New York Times best seller * Wall Street Journal best seller * USA Today best seller * Number one IndieBound best seller
Praise for Carve the Mark:
“Roth skillfully weaves the careful world-building and intricate web of characters that distinguished Divergent.” (VOYA, starred review)
“Roth offers a richly imagined, often brutal world of political intrigue and adventure, with a slow-burning romance at its core.” (ALA Booklist)
Cyra Noavek and Akos Kereseth have grown up in enemy countries locked in a long-standing fight for dominance over their shared planet. When Akos and his brother are kidnapped by the ruling Noavek family, Akos is forced to serve Cyra, the sister of a dictator who governs with violence and fear. Cyra is known for her deadly power of transferring extraordinary pain unto others with simple touch, and her tyrant brother uses her as a weapon against those who challenge him. But as Akos fights for his own survival, he recognizes that Cyra is also fighting for hers, and that her true gift - resilience - might be what saves them both.
When Akos and Cyra are caught in the middle of a raging rebellion, everything they’ve been led to believe about their world and themselves must be called into question. But fighting for what’s right might mean betraying their countries, their families, and each other.
When the time comes, will they choose loyalty or love?
This production includes a bonus excerpt from The Fates Divide, Veronica Roth's powerful follow-up novel performed by Austin Butler, Emily Rankin, Erin Spencer, and MacLeod Andrews!
Customer ReviewsMost Helpful
By NMwritergal on 01-21-17
Good enough that I'll read the next one
A couple of hours in, feeling a tad bored and confused, I read the reviews on Goodreads. I was rather surprised at all the “This is racist! This is ‘ableist!' Don’t read it!” reviews. And of those who had formerly given it a good review back peddling, “Well, I didn’t see anything racist or ableist but now I’ve seen the light” sort of stuff. On Amazon at least, some of the comments correct the incorrect examples in the reviews. Some reviews counter the unpersuasive arguments of early reviewers. I imagine there will be more to come.
The whole ableist thing—the equivalent to “racist” expect it refers to the “differently-abled" (formerly known as "handicapped") or in this case concerning chronic pain—was even more ridiculous. The main female character, Cyra, suffers from chronic pain, more like chronic agony. Frankly, at that level of pain I don’t see how she could realistically function. But she does, barely. At any rate, I can speak to chronic, disabling pain and Roth didn’t write anything offensive AT ALL.
Cyra is initially pretty unlikeable (though Roth did an excellent job of making the reader understand her and even root for her, particularly as she becomes a better person through her relationship with Akos), but calling this “ablesit”—even the word is even annoying—is absurd. If the author created a British character who was the “bad guy” would there be a hue and cry that she were anti-British? If she created an evil old woman, would the author be called out for “ageism” and sexism?
Enough on that subject.
So what about the story? I vacillated between “it was ok” and “I liked it,” and finally decided on 3 stars. It's hard to say I "liked" something fairly violent, where few good things happen, but it was pretty well done and was not without hope. The hope, and the main relationship in the book saved it for me.
The world building was somewhat lacking. I never did come to a conclusion about whether things were technologically modern, IN GENERAL, or not. Obviously space ships and gene locking mechanisms for the door speak to technology, but I really didn’t have a clear picture otherwise. I was a little confused at first, as we are dropped right into the story with no idea what kind of world this is. What information we do get unfolds gradually. But it wasn’t quite enough for me.
All the crazy names drove me to distraction and sometimes (because there were so many characters), I got confused about who was who. Might have been easier if I had been reading instead of listening. Not sure.
Roth did an excellent job with Cyra—both her growth as a person and the relationship with Akos, which never sinks to the awful YA level of 10,000 descriptions of kisses (perish the thought that it should go further than a kiss in YA! Sigh.) and pages and pages of how it makes the character feel. For this reason alone, adults will probably enjoy it much more than the usual YA fare. And no stupid love triangle, which is another YA trope that bores me to death. And yes, it bored my when I was a teenager too.
Roth did an even better job of her portrayal of Akos. ‘Nuff said.
In the end, it was a pretty good story—good enough that I’ll read the next one as soon as it's published.
34 of 40 people found this review helpful
By Joy on 01-30-17
So, I really wanted to like this book, but I had a really hard time with it. I felt like I was losing track of the characters and even at the end of the book, wasn't entirely sure who was who. I even had a hard time with the names- genderless so it made it even more easy to lose track of what character was who. Maybe it's because I didn't have a physical book to go back and review who was who- though I've never had that problem with an audio book before.
I think that more care needed to be taken when introducing new worlds to a reader- it felt rushed and there was no way for the reader to remember what world was which. I like the premise of the book, but wish more care had been taken with building the main characters. I didn't care about them at all by the end. I also felt like the villain was trying to hard to be villainous. The best villains are the ones that are relatable and human. The villain in this book felt like a bad Disney character.
I am really sorry I didn't like this book, but there you have it.
25 of 30 people found this review helpful