It could happen tomorrow....
An electromagnetic pulse flashes across the sky, destroying every electronic device, wiping out every computerized system, and killing billions. Alex hiked into the woods to say good-bye to her dead parents and her personal demons. Now desperate to find out what happened after the pulse crushes her to the ground, Alex meets up with Tom, a young soldier, and Ellie, a girl whose grandfather was killed by the EMP. For this improvised family and the others who are spared, it's now a question of who can be trusted and who is no longer human.
Author Ilsa J. Bick crafts a terrifying and thrilling novel about a world that could be ours at any moment, where those left standing must learn what it means not just to survive, but to live amidst the devastation.
"For fans of postapocalyptic and horror fiction, Bick has created a story of equal parts intrigue and gore…Katherine Kellgren narrates the tension-filled action at a lightning pace…The author’s frenetic characterization of Alex is tempered by Kellgren’s ability to draw the listener into each scene." (Audiofile)
2012 Audie Award Nominee, Female Solo Narration
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No Thank You
A better, less annoying story and less annoying characters.
The flow of the story.
Less screeching and screaming.
Life is too short for bad fiction. In fairness, I will admit that I did not finish this book, but I can just tell that this book is going in a direction that I don't want to follow. After reading some of the reviews (Goodreads and Audible) more in depth, I think it's because people like part of the book but then hated other parts of it so they kind of gave it a "pity" rating. Most dismaying of all, readers seemed to like the first part of the book better than the second part on average. This is a HUGE reason why I stopped reading. I found little to nothing redeeming about the first part and if it only gets worse from here, then god help me.
Audiobook rating: I lay most of the fault with the experience to the story, but this woman's voice was also very grating. Her depiction of Ellie made me want to gouge out my eardrums with a sharp instrument. Especially in the beginning when all Ellie did was scream and whine. Ellie's hysterics eventually leveled out, but not soon enough.
- KK "KK"
I am only two hours into this book, and I almost can't listen anymore. There is a fine line between drama and melodrama, and Katherine Kellgren crosses it at absolutely every opportunity. I'm astonished she has been nominated for so many Audies. Her shrieking affects me like fingernails on a chalk board, which is a shame because I am particularly intrigued by postapocalyptic fiction. If Kellgren narrates the sequel, I'll have to remember to just get the book from my library.