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Would you say that listening to this book was time well-spent? Why or why not?
I used to fall asleep to this audiobook, since the narrator seems to simply read the text from sheets, repeating the same intonation over and over again (may be, but not necessarily, due to the nature of pop songs that repeat themselves over and over again?). While on some pages she seemed to be alone at home, calling out her words to the mike, in other times she seemed to have to keep quiet to not wake up the kids.
Well, I found out the Audible player could speed up playback. 1.25 speed made listening not so dry.
As for content: There's nothing new in here, everyone who ever read or heard about creative writing or anything the like knows all there is in this book (and considerably more, I bet). Also, the perspective is rather limited to mainstream music, mainstream business, mainstream genres, mainstream production and mainstream "how to". Legal advice is applicable to US listeners only, although, with a bit of brain, you can "translate" what little help on rights & cie is there (although it wouldn't help you much if you were, like me, German and had to suffer from the absurd German creative rights system. Ask YouTube about that).
Ok, too many words from me already: The book is ok for the money spent (much less than for a cheap lunch), but I won't listen to it again.
What was your reaction to the ending? (No spoilers please!)
That's it? Erm, ok.
Did the narration match the pace of the story?
The book could benefit (a bit) from a professional narrator, who could bring live, color and dramatic to the content.
Was Write Songs Right Now worth the listening time?
If you didn't know that in order to write songs now you have to write songs now, you really should read this book (listen to it), because it basically tells you that in order to write songs now you should write songs now. And not listen to books that tell you to write songs now.
Any additional comments?
Sorry for being lame, I guess there are people out there who need the "kick in the butt" the author tries to give the reader/listener (but somewhat fails). I just expected a little more insight into how professionals run their job - I happen to know a few professional song writers who see their job as a 9-5 daytime business with routine, know how and creativity. 30 minutes of chatting with them gives me more than a couple of hours of "Write Songs Right Now".
10 of 12 people found this review helpful
Any additional comments?
I enjoyed this book very much. Alex shares tons of interesting insights and narrates it pleasantly.