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I didn't know what to expect from this book at first. If you can get past the narrator's self-righteous delivery, it is an interesting listen. A decent narrative about the shortcomings of psychiatric 'medecine' and the reactions of psychiatric patients who have been exposed to the system. Provides some nice examples of how professionals can learn from patients. Worthwhile listen.
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What disappointed you about Agnes's Jacket?
At one point, late in the book, Hornstein eulogises "feminist" writing as non hierarchical, but having several centres. I frequently wondered what was the point? To parody, I was cycling through the market square in Cambridge. The flower seller waved at in my direction. Did she see me? Was she as preoccuppied with Agnes Jacket as I was? Would she have been as sanctimonious as me if she could have spoken to me in words, instead of waving? Would she have asked as many rhetorical questions? Was the florist even relevant to the point I was making? We will never know.
Who was your favorite character and why?
John's story weaved the mystic and the insane so closely, it reminded me of Icarus. Peter's and Nicky's stories were harrowing in their own way
What didn’t you like about Marguerite Gavin’s performance?
Gavin has only two accents; Felicity Pippinsworth from plummy London or Hamish McTavish, a half drunk Scottish man doing shady deals in West Belfast. Both are preposterous. When not doing accents, her insistent inflections at teh end of every sentence are faintly condescending.
If you could play editor, what scene or scenes would you have cut from Agnes's Jacket?
I would have cut out all autobiographical ramblings, all repetition, and credited the reader with some intelligence.
Any additional comments?
Some well made points, but seven hours of my life I will never get back.
I found this book informative, understanding the cycles in the history of treatments. Valuable to everyone dealing with trauma and the side effects of trauma for themselves and their loved ones.