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This book was a bit of an odd pastiche of various classic science fiction elements that was never bad, but never kept me on the edge of my seat. The novel is told from two perspectives during a crisis in an asteroid colony: an administrator and a young "rocket biker." The teenager sections feel like classic YA science fiction (Heinlein, perhaps), where a kid (whose parents obviously don't understand him) and his gang of friends keep being in the right (or wrong) place, and therefore have a chance to be heroes repeatedly. The administrator is written with some interesting nuance, but never becomes emotionally engaging.
The same problems with the characters - obviousness mixed good, but not compelling, ideas - color all the other parts of the novel. There is some very detailed technical world building, but also lots of hand-wavy bits. There is some interesting future sociology, mixed in with SF cliches, like the US devolving into the "Christian States of America." There are some nice action scenes, but the pieces are put in place in ways that make the novel seem forced.
This isn't a failure of a novel, but it is less satisfying then, say, Levianthan Wakes, which has a lot of similarities (near future, near Earth space opera). If you are looking for a long classically-inspired science fiction novel, this might work for you, but I don't think it is worth the time. The reader, however, is excellent.
9 of 9 people found this review helpful
This book has all the elements of a great old-school baroque space-opera (including young adults saving the universe, emergent digital intelligences, and fun with orbital mechanics), with some new twists (ubiquitous reality TV fishbowling). There are occasional very minor continuity problems, but they don't get in the way. Ms. Cambpell is versatile, and each of the many characters has a unique voice. Highly recommended!
6 of 6 people found this review helpful