Deep within the Wood, a young woman lies dead. Not a mark on her body. No trace of her murderer. Only her chipped glass slippers hint at her identity.
The Woodcutter, keeper of the peace between the Twelve Kingdoms of Man and the Realm of the Faerie, must find the maiden’s killer before others share her fate. Guided by the wind and aided by three charmed axes won from the River God, the Woodcutter begins his hunt, searching for clues in the whispering dominions of the enchanted unknown.
But quickly he finds that one murdered maiden is not the only nefarious mystery afoot: one of Odin’s hellhounds has escaped, a pixie-dust drug trade runs rampant, and more young girls go missing. Looming in the shadows is a malevolent, power-hungry queen, and she will stop at nothing to destroy the Twelve Kingdoms and annihilate the Royal Fae…unless the Woodcutter can outmaneuver her and save the gentle souls of the Wood.
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Not for me
I simply did not care for this. I felt it was formulaic and suffered some internalized misogyny. For example, the woodcutter (detective) finds the body of a dead princess and remarks out loud, "What did you get yourself into, girl?"
I did not like the narrator. It was very breathy and forced almost as if it was a fake English accent. I don't know if she really is English, but it sounded like a college freshman who just landed the part of Wendy in a stage play of Peter Pan.
I actually missed my junction because I was so focused on turning this book off. The good news is that I got back on the right highway and also remembered how much I liked the Dresden Files. I listened to Dead Beat for the rest of the five hour car trip. Excellent.