A mage's power has brought five university students from our world into a realm where an ancient evil has freed itself from captivity to wreak revenge on its enemies....The Wandering Fire is the second novel of Guy Gavriel Kay's critically acclaimed fantasy trilogy, The Fionavar Tapestry.
"One of the very best fantasies to have appeared since Tolkien." (Andre Norton) "This is the only fantasy work I know which does not suffer by comparison to The Lord of the Rings." (Interzone) "The essence of high fantasy...a remarkable achievement." (Locus)
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It???s been 1?? years since I read The Summer Tree, Guy Gavriel Kay???s first novel and the first in his Fionavar Tapestry. I mentioned in the review for that book that I???m an adoring fan of Kay???s later stand-alone novels but that I found The Summer Tree derivative and heavy. I would have happily skipped its sequel, The Wandering Fire, but I had already purchased it at Audible, so I thought I???d give it a chance to win me over. Simon Vance, the narrator, is one of my favorites and his bad Canadian accents were toned down this time, which made him pleasant to listen to, as usual.
In this installment, the five college students are back home in Toronto after Kim whisked them out of Fionavar when she heard Jennifer being tortured after being raped by the dark lord, Rakoth Maugrim. Jennifer became pregnant and has refused to get rid of the baby. Will the son of the dark lord be evil? Are genes destiny, or might love overcome their effect? Meanwhile, the unnatural winter grinds on in Fionavar. The people are starving and the minions of the dark lord are attacking, so Kim goes to Stonehenge to summon Arthur Pendragon and takes him and the rest of the gang back to fight evil in Fionavar.
I felt pretty much the same way about The Wandering Fire as I did about The Summer Tree. Here we get to know our heroes a little better, but they still remain rather shallow even though we spend plenty of time viewing events from their perspectives and watching them act and speak with an abundance of emotion. The villains are similarly thin. The story advances, though not much has been accomplished by the end, and I had the familiar feeling that The Fionavar Tapestry could have been done in two books instead of three.
The story, though derivative (there are so many Tolkienesque elements here), is intriguing, but the addition of King Arthur (and the foreshadowed love triangle with Jennifer and Lancelot) is strange and seems out of place. There are bright patches of humor and wit, especially in the blossoming romance between Sharra and Diarmuid, which has been my favorite plotline in this series.
My main problem with The Fionavar Tapestry is that it???s so unrelievedly heavy and histrionic. The characters, even those from modern Toronto, express almost every thought in intense turgid prose. Everything that happens ??? every conversation, every fight, every sex scene, every meal ??? is treated as if it???s the climax of the story. It???s often beautiful, but frankly, it???s exhausting. This is an area where GGK has markedly improved over the years. His later novels are still full of passion, but in these earlier books, each character feels as if he???s likely to explode at any moment if the temperature in Fionavar ever gets above freezing.
Overall, then, The Wandering Fire is a rather conventional high fantasy that suffers from excess weight and pomposity, but it???s easy and exciting to see the early stages of Guy Gavriel Kay???s later greatness here. Fans who are interested in this author???s evolution will want to be familiar with The Fionavar Tapestry, especially since its mythology is alluded to in his later novels.
- Katherine "I'm the managing editor of the Fantasy Literature blog. Life's too short to read bad books!"
Like book 1, this is just a slow moving story. Lots of characters, lots of story lines....the reason it moves really slowly is that the same part of the story is told over and over and over again through different eyes. Its really hard to pay attention when you're going through another iteration of a part of a story that you've already heard. Every character in the story is overly serious and overburdened by the weight of their own awesomeness...I don't feel a lot of empathy for them and I find myself hoping that one or more of them gets killed off...of course if they do get killed off then their companions will be tearing their hair out and screaming about pain and revenge for the next 100 pages or so, so perhaps not. What a quandary!