The Shadow of the Torturer is the first volume in the four-volume epic, the tale of a young Severian, an apprentice to the Guild of Torturers on the world called Urth, exiled for committing the ultimate sin of his profession - showing mercy towards his victim.
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Thought-provoking, image-rich and intricately plotted. This series has had a prized place on my bookshelf for years and I was thrilled to see it available as an audiobook. Even better, Jonathan Davis as narrator has a moderately slow (but not too slow) pace, great voice characterization, and handles the author's challenging and singular vocabular with ease.
Wolfe is subtle, profound writer and demands close attention from his readers/ listeners; this is not a surf-along novel. If your attention is distracted for a minute, you could miss something vital, and need to rewind -- I sometimes have had to do that as I listen. But most of the time I am completely engrossed. This is one of the best finds I've made, ever.
I hope to see more Wolfe audiobooks- beginning with this series' sequel/ continuance, "The Urth of the New Sun".
There was a time when the fantasy genre didn't just exist to entertain, but sometimes aspired to a higher level of artfulness. The Shadow of the Torturer is such a book. Set in a far distant future, when Earth's sun is fading and human society has lost much of its technological aptitude, Wolfe's novel has a haunting, elegiac quality. It's written in a voice reminiscent of 19th century writers like Poe or Dickens, which adds to the melancholy beauty. Fortunately for the squeamish, though torture is part of the story, it's not described in much detail.
In terms of plot, The Shadow of the Torturer isn't a complex novel. The protagonist grows up under the protection of a strange, cloistered society, learns a few things about the outside world, betrays his guardians, and is thrown out to seek his own fortune -- familiar fantasy stuff. But what sets the book apart from standard swords-and-sorcery fare is the richness of its language and the great imagination in its details; the difference is like comparing a fine oil painting to a crude computer graphic rendering. It has subtlety that forces the reader to pay attention. Wolfe messes with time and space, contemplates philosophical ideas, writes long exchanges whose import isn't immediately clear, and relies on the audience to make sense of the strange, slightly dreamlike events that unfold in the story, rather than spelling out how they're connected.
Without a doubt, this is a book that will absorb some readers and alienate others. Wolfe's ornate, college-level English, though not difficult, is not for everyone. Nor will everyone relate to the protagonist's detached, clinical voice. Basically, if you're looking for a light, Harry Potter-style book with instantly charismatic characters, you're better off going elsewhere. But, for readers who appreciate sophisticated writing and atmospheric, textured imaginary worlds, this is a great read.