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Publisher's Summary

Myfanwy Thomas awakes in a London park surrounded by dead bodies. With her memory gone, her only hope of survival is to trust the instructions left in her pocket by her former self. She quickly learns that she is a Rook, a high-level operative in a secret agency that protects the world from supernatural threats. But there is a mole inside the organization - and this person wants her dead.
As Myfanwy battles to save herself, she encounters a person with four bodies, a woman who can enter her dreams, children transformed into deadly fighters, and an unimaginably vast conspiracy.
Suspenseful and hilarious, The Rookis an outrageously inventive debut for listeners who like their espionage with a dollop of purple slime.
©2012 Daniel O'Malley (P)2012 Hachette
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Customer Reviews

Most Helpful

By Tango on 03-18-13

Tale of Two Myfanwy's

I'm glad I didn't realize that The Rook was classified as YA on some lists when I downloaded it or I would probably not have given it a listen since I've been rather disappointed with my sampling of previous YA genre books. I'm not sure what makes a book YA, but this one to my relief did not suffer from the problems I have seen in my previous YA "dips". No sign of the simplistic, unrealistic YA characters - the Rook has well developed characters that a reader can identify with or at least understand (i.e. motivations track with their back stories and behavior is consistent). No teenagers taking charge of the world - all the central characters are full grown adults; some quite ancient so you get NO teenage angst or the overdone "coming of age" sexual rabbit trails in this tale. And finally, thankfully, no insipid romantic convolutions to veer the plot off track, undermine the female protagonist, or bore the adult reader.

There is some good world building in this hidden fantasy world set "beneath" our real modern day world - the politics of this fantasy world are laid out well and remain consistent although the constant introduction of new abilities throughout the book gets a little tired after a while. In spite of a lot of action, the plot line is pretty basic and the mystery of Myfanwy's attack/amnesia isn't that mysterious. However, I will not be overly critical of the plotting because I thought the development of the two Myfanwy characters was beautifully done. The amnesia angle might be a bit cliche, but it was handled so perfectly that I will forgive the cliche. Myfanwy doesn't just develop amnesia from a bump on the head - she has all of her personal memories deleted from her so that the woman who wakes up after the attack only resembles the pre-attack Myfanwy at a cellular level. All that nurture and experience did to influence what nature started with in Myfanwy is gone. We learn of pre-attack Myfanwy from her letters to her future "sister" as we watch post-attack Myfanwy develop her own new persona. I loved the way O'Malley made the two characters unique and yet related. Ex: Old Myfanwy by way of her life experiences is quite shy (nurture); new Myfanwy isn't shy, but is still fairly introverted (nature). After all, you are who you are by way of nature and nurture, lose the nurture and you couldn't be you. But nature sets the initial boundaries so any version of you would have to have some commonality with any other version. By the end of the book, both the reader and the new Myfanwy come to understand and appreciate the old Myfanwy and it feels like you've been part of a story with two individual female protagonists. I came to like both of them very much. All of the characterizations in The Rook were interesting and quite well done.

Reviewing the performance is harder. I had some trepidation about the book after reading some of the negative reviews about the narration. You can hear what the reviewers were complaining about from the sample, but you might not be prepared for how incredibly irritating this strange voice mannerism is over 18 hours of listening to it - OUCH! The sad part is that Susan Duerden's reading makes it difficult to tell how good/bad O'Malley's writing is. She reads as if the author wrote the whole book in sentence fragments and rarely utilized any periods. She breaks up every sentence into phrases and leaves each phrase hanging out there - her voice never drops at the natural end of a sentence or a thought as a normal speaker would. I found this to be a major distraction that broke the flow of O'Malley's writing. But, Duerden isn't universally bad which makes the review hard. Her voice is nicely modulated and with a pleasant British accent she is a pleasure to listen to other than the weird phrasing thing. In addition, she does great character voices for men, women, children, and monsters and the dialog parts of the book are really fun with her presentation. (She did a better American accent than almost any British narrator I've listened to.) Parts of her narration I would give a 5 star and parts a 1 star. I finally settled on 2 stars because she so badly impacted the author's writing for me and that's a big No-No in my book.

This is a great little fantasy tale with wonderful characters. No hesitation recommending the book, but check the audio sample before you download and just make sure you are prepared for Susan Duerden's reading the whole thing as a series of sentence fragments before you take on the audio version.



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33 of 33 people found this review helpful


By Lydia on 10-26-15

Can't get past the narrator

This is the first time I've ever returned a book on audible - the narration was completely horrid - I could not focus on the content at all because of the weird sing-song cadence of the narrator. Every sentence was just an arpeggio - with her voice going up and down with each syllable. I have no idea how people gave the performance anything above one star. It's completely bizarre.

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16 of 16 people found this review helpful

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