The wickedest, most wonderful science-fiction story ever created in our - or any - time. Anything can begin at a party in California - and everything does in this bold masterwork by a grand master of science fiction.
When four supremely sensual and unspeakably cerebral humans - two male, two female - find themselves under attack from aliens who want their awesome quantum breakthrough, they take to the skies - and zoom into the cosmos on a rocket roller-coaster ride of adventure, danger, ecstasy, and peril.
Robert A. Heinlein (1907–1988) was the dominant science-fiction writer of the modern era, a writer whose influence on the field was immense. He won science fiction's Hugo Award for best novel four times.
“One of the grand masters of science fiction.” (Wall Street Journal)
“The most influential science fiction writer of all time!” (Locus)
“[A story] about two men and two women in a time-machine safari through this and other universes. But describing The Number of the Beast thus is like saying Moby-Dick is about a one-legged guy trying to catch a fish.” (National Review)
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I've been waiting for this book in audio format...
I would have waited even longer to have better narration. I'm two hours into the audiobook. I'm forcing myself to continue on, because I haven't experienced this story since my paperback copy went missing back in the early 90s.
I don't mind ensemble readings. The Godfather was quite enjoyable. But this... I don't know if I'll finish it. I like Bernadette Dunn, usually. I don't care much for her reading of Hilda, but in my opinion, her performance is the best of the group. Deety's narrator makes her sound utterly immature and annoying. Her intelligently-written character becomes whiny and annoying. Zeb is read like he is a doddering old man. Jake's character performance is not memorable either way.
One Aching Pain Short of Heaven
I love this book - BUT I really recommend waiting until they delete the passages narrated by Emily Durante. I'm so sorry to say it - but her segments are so terribly awful that I have to skip them. It is NO FUN listening with my hand on the button to "Scram" when I hear that voice. It interrupts the flow of the book - abruptly break the mood. It distracts me with thoughts like "nepotism, training wheels" and "at my expense". There is at least one passage where she is actually inoffensive. Thank Goodness I know the book so well. So I just imagine through those parts. We who purchased it should get a credit for the corrected version with Ms. Durante excised and replaced by...Ms. Dunne for example. It pains me to say that of someone's narration - but it pains me to listen to Ms. Durante. For those who've read the other Lazarus Long novels and stories - this entire book is memorable and rather important. Like me, readers may have been waiting for its audio format. I call it Hands-Free reading. It is a torturous shame that they allowed one poor narrator to ruin the overall experience. As may be...the book and the other narrators are all such a pleasure!
I compare it to...other Heinlein books, especially the Future History works: The Cat Who Walked Through Walls...Time Enough For Love... pick one and insert title here. Why? Because they are part of a larger opus, their elements: content, tone, narration/listening experiences, make comparison to this nearly automatic for me.
I might listen to Mark Twain, and other books with a cool, scratchy, country/Southern US twang, by Mr. Runnette; perhaps very short children's books by Ms. Durante, after she's trained up; and Anything by the other Narrators.
YES!!! A REVISED, CORRECTED VERSION as described above!!! YES!! Follow-up with an APOLOGY! And...Yes - the rest of the Future History Books - and Short Stories. Wake up RAH - rejuvenate him and give him a stiff infusion of modernity and set him back to joyful work!!
USE NARRATORS THOUGHTFULLY - Example: If Zeb is clearly described to have a deep, resonant voice - don't use the one male talent with the higher-pitched, cool, yet scratchy/twangy, elder sound to voice him. It's not fair to them or to the text. Heinlein's books are Smart - even with his certain "off" views and socio-sexual anachronisms. But they are ultimately smart as all h=ll - and that makes the not-smart choice of any narrator even more off-putting. I truly hope it will be amended.