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Publisher's Summary

What would you give to live forever?
Seventeen-year-old Elijah Brighton wants to become an ascender--a post-Singularity human/machine hybrid--after all, they're smarter, more enlightened, more compassionate, and above all, achingly beautiful. But Eli is a legacy human, preserved and cherished for his unaltered genetic code, just like the rainforest he paints. When a fugue state possesses him and creates great art, Eli miraculously lands a sponsor for the creative Olympics. If he could just master the fugue, he could take the gold and win the right to ascend, bringing everything he's yearned for within reach... including his beautiful ascender patron. But once Eli arrives at the Games, he finds the ascenders are playing games of their own. Everything he knows about the ascenders and the legacies they keep starts to unravel... until he's running for his life and wondering who he truly is.
The Legacy Human is the first in Susan Kaye Quinn's new young adult science fiction series that explores the intersection of mind, body, and soul in a post-Singularity world... and how technology will challenge us to remember what it means to be human.
©2015 Susan Kaye Quinn (P)2016 Susan Kaye Quinn
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Customer Reviews

Most Helpful

By K.Leine on 12-31-16

A(n Audio)Book of Halves.

I was drawn to this audiobook because of the setting—a scifi, possibly dystopian future that touches on the Singularity—and stayed because of the narration. I wish Audible allowed you to put half stars because my journey through this audiobook was a very see-sawy one.

I enjoyed the book for what it was: a YA scifi story with the usual romance, drama, and conflict thrown in. Romance isn't the main focus thankfully (though Eli's monologues about his crushes certainly get quite the airtime), camaraderie and family is, along with questions that venture into philosophical and religious territory. The questions aren't new, but I could certainly see myself recommending this book for the younger YAs in my life. There are likeable supporting characters, and there's generally tight enough pacing that the story did not feel like a slogfest.

I am a newcomer to Nick Podehl, and I have to say, his variety impresses me. The first time he adopted the voice of Basha, a girl, I did a double-take wondering if I had remembered wrongly and it was a joint narration with a female narrator instead of a solo effort. That's how believable his voices are. Podehl changes seamlessly between different characters even during heated exchanges, and they are all distinct voices; I never had any trouble differentiating between characters, even Eli's internal and external voices.

But this is where the halves come in: I enjoyed it whenever a character spoke, but the choice made for Eli's internal voice (a whiny, almost nasal, sometimes condescending one) was grating for me, requiring that I break up the listening into chunks. It is a choice I question because I know Podehl can do other voices, smoother voices, better voices, because as a first-person YA novel, there is a lot of Eli's monologuing going on. And for that, I wish I could give Performance a 4.5 instead. In the end, I decided that 5 instead of a 4 was appropriate because I loved Cyrus' and Marcus' voices. Cyrus in particular was the deciding factor, he was hands down my favourite character in this book, his voice a warm balm to the long stints of Eli's whining. It's made even better when Cyrus is the only one to call Eli out on his wallowing and whining.

I give a 4 for Story because the story is fairly typical for the first half, with the side-characters carrying the weight of giving it individuality and life. I would've given a 4.5 for the first half as the introduction of new norms and information was well done, tiny chunks that did not feel like a lecture. And for all that Eli went on and on about Lenora, there was still a dry humour present in his internal monologue; just a couple of lines here and there that were so tongue-in-cheek that I'd burst out laughing, the friendly banter between Eli and Cyrus that just made me feel good for them. I didn't dislike him then. I thought he was a typical seventeen year old, but I didn't dislike him then.

But then the humour vanishes, and the second half left me with a 3.5 because despite having more action and giving Podehl more emotional material to work with, it became increasingly dreary whenever Eli was left to his own devices (which at least thanks to Cyrus, isn't too much). The same issues would be turned over and over, which while potentially realistic becomes boring when exact lines get repeated. If this was a book, these would be the parts that I would skim over, but add in Podehl's choice of internal voice for Eli and those portions just became tiresome for me. I did not enjoy Eli. There was nothing that I particularly liked about him, he was an angry boy, condescending at times, holier-than-thou at times, self-deprecating and pitying when it suited him, and entirely far too self-absorbed with his perceived self-sacrifice.

It's sad because I enjoyed the rest of the story, almost the entire rest of the cast, the setting and the situation that it posits, and the varied accents that Podehl pulls for the different characters. I want to find out more about the backstory, more about the ascenders and how things must be like for them, how things happened for them from their point of view. I want to find out if Cyrus is okay, how he deals with the new circumstances that is being thrown at him by sheer virtue of being Eli's first and best friend. I enjoyed this world, but I'm not sure that I can take another novel of Eli's internal whining and wallowing. I'm still undecided if I want to take that plunge. But that's me, maybe you can?

I was voluntarily provided this free review copy audiobook by the author.

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By Mary on 12-20-16

Artistic and Positive version of the Hunger Games

Would you recommend this audiobook to a friend? If so, why?

Yes. This was a great listen that offered a glimpse into our possible future. Any friend that enjoys post apocalyptic distopian/ utopian books would enjoy this read.

What did you like best about this story?

I enjoyed the aspect of human and robot interaction and the idea of the eventual population of AI ruling the world. I also liked the Olympic games surrounding the arts; painting, singing, spoken word and dancing. This offered a great artistic element to the book whereas other similar books (Hunger Games) were brute strength and force.

What about Nick Podehl’s performance did you like?

The narrator did a great job with the various voices, especially the females. Most male narrators have trouble with the female voices but Nick did a great job.

Was this a book you wanted to listen to all in one sitting?

I would not listen to this in one setting. I listened to this over the course of a few days, mainly while driving. The similarities to other books necessitated the need to stop listening a bit. However, after a while the book took on its own form and finished very well.

Any additional comments?

I am eager to listen to the next book in this series. I would like to find out how characters deal with the various curve-balls they were thrown towards the ending of this book. <br/><br/>I was gifted this audio book by the author in exchange for an honest, unbiased review.

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