Famine. Death. War. Pestilence. These are the harbingers of the biblical apocalypse, of the End of the World. In science fiction, the end is triggered by less figurative means: nuclear holocaust, biological warfare/pandemic, ecological disaster, or cosmological cataclysm.
But before any catastrophe, there are people who see it coming. During, there are heroes who fight against it. And after, there are the survivors who persevere and try to rebuild. THE APOCALYPSE TRIPTYCH will tell their stories.
Edited by acclaimed anthologist John Joseph Adams and bestselling author Hugh Howey, THE APOCALYPSE TRIPTYCH is a series of three anthologies of apocalyptic fiction. THE END IS NIGH focuses on life before the apocalypse. THE END IS NOW turns its attention to life during the apocalypse. And THE END HAS COME focuses on life after the apocalypse.
Post-apocalyptic fiction is about worlds that have already burned. Apocalyptic fiction is about worlds that are burning. THE END IS NIGH is about the match.
TABLE OF CONTENTS: Introduction by John Joseph Adams | The Balm and the Wound by Robin Wasserman | Heaven is a Place on Planet X by Desirina Boskovich | Break! Break! Break! by Charlie Jane Anders | The Gods Will Not Be Chained by Ken Liu | Wedding Day by Jake Kerr | Removal Order by Tananarive Due | System Reset by Tobias S. Buckell | This Unkempt World is Falling to Pieces by Jamie Ford | BRING HER TO ME by Ben H. Winters | In the Air by Hugh Howey | Goodnight Moon by Annie Bellet | Dancing with Death in the Land of Nod by Will McIntosh | Houses Without Air by Megan Arkenberg | The Fifth Day of Deer Camp by Scott Sigler | Enjoy the Moment by Jack McDevitt | Pretty Soon the Four Horsemen are Going to Come Riding Through by Nancy Kress | Spores by Seanan McGuire | She's Got a Ticket to Ride by Jonathan Maberry | Agent Unknown by David Wellington | Enlightenment by Matthew Mather | Shooting the Apocalypse by Paolo Bacigalupi | Love Perverts by Sarah Langan.
We've sent an email with your order details. Order ID #:
To access this title, visit your library in the app or on the desktop website.
Amazing, couldn't put it down!
This is one of my favorite audio books, and I have listened to quite a few. I prefer short story anthologies and every single piece in this book was a new gem.
I loved that so many of these stories came at the apocalypse premise from unusual directions. Every time the world is going to end in a different way, and the character viewpoints are also very different so each new story brings a different perspective. Sometimes the protagonists are likely to live, sometimes they don't make it to the last paragraph. As a reader, the uncertainty makes each story exciting.
It was great to hear famous podcast voices such as Mur Lafferty, Tina Connolly, Kate Baker, Jack Kincaid, Norm Sherman and others who consistently deliver clear, evocative story narrations - these are artists at the top of their craft delivering excellently edited performances.
John Joseph Adams compiled a GREAT set of stories in this anthology. I can't wait for the next book in this series to be released!
Good concept; muddled audiobook execution
I came to this book cause I listen to John Joseph Adams' Lightspeed podcasts. Who did this production? As an anthology the stories I managed to listen to, are good. The editor knows what he's doing. His selections are historically dynamite. The writing is solid. But as a listening experience I don't think there was a guiding hand, it felt patched together, because the reading styles and effects are all over the place, which made it horrifyingly distracting in most cases.
Never made it to the end. I'm buying the book.
Who are these readers? I listen to lots of podcasts and short stories. And there's always inconsistencies in talent. But this is an audiobook. I'm assuming this was a new production, not a grab bag podcast. The ClarkesWorld narrators did well in this one (Kate Baker?) drawing me in, but where were the Lightspeed folks? There were tremendous inconsistencies in style and talent levels. You've got Jack Kincaid doing over-the-top Radio Style, and then You've got fake-oh FX effects of God's Voice in the middle of a woman's narrative; then what I call "Barnes and Noble" author-type-reads which are barely comprehensible. Who are these people? Genre fiction needs the best; we're picky. ;0) We get spoiled by productions like Cascadia and Ender's Game Alive, and RipOff and World War Z and V-Wars. Howey is certainly capable of demanding a certain level of production, no??? He's one of the big boys now, no? Sigler and Mur were good, but they're veteran readers. The rest? Yikes.
I don't want to be unkind here. But I jumped around, listened to the first minutes of each story; only a few pulled me in; the rest I skipped. Didn't feel I was in good story-teller hands. Didn't make it to the end. I plan to buy the book and read it. Maybe. The authors were not well served here. Variety's good when the narrator supports the story; but when they detract ... not good.
Seems from what he says in the intro that John Joseph Adams, the anthologer had a good grip on arc and concept on paper; but no follow through on the production. I was disappointed in the Hugh Howey narrator choice on a previous audio and thought I'd try this one cause of Adams does a great job on Lightspeed, but was once again let down by the casting. Makes one wonder who was in charge here. If anyone.
- Susannah "I am musician and mom of several little musicians. Love good narrators. Love good stories. Love Audible."