Award-winning author, narrator, and screenwriter Neil Gaiman personally selected this book, and, using the tools of the Audiobook Creation Exchange (ACX), cast the narrator and produced this work for his audiobook label, Neil Gaiman Presents.
A few words from Neil on The Drowning Girl: "As with all "Neil Gaiman Presents" titles, it's very important to me to find the voice that comes closest to the voice in the author's head; for Caitlin, for this book, that was Suzy Jackson. It was not until the second round of auditions that we found someone who sounded young but not naïve, someone who could catalogue the sharp detail of Imp's carefully observed daily life but also convey the blurred edges of her reality. Caitlin and Suzy kept in touch during the recording, and the result is a reading that is precise but not "stagey", a literary but accessible reading of the novel."
India Morgan Phelps - Imp to her friends - is schizophrenic. Struggling with her perceptions of reality, Imp must uncover the truth about her encounters with creatures out of myth - or from something far, far stranger....
Winner of the 2013 Bram Stoker Award for Best Novel.
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A Modern Haunting
Went on a weird trip. Liked where I went.
In a heartbeat! It's not every day you can find a book about two artists, three paintings, four deaths, one murder, a cult and a big black eye with a bag of frozen peas on it and have it all fit together.Oh, and there's a really, really, really sweet love story in this. I'm such a sucker for those kind of things (total girl). It's a *different* kind of love to be sure, but it's filled with just as many feels. In fact, if I had to list one complaint it would be that I wanted more everyday stuff between Imp and Abalyn and I didn't get it.
1. The Little Mermaid.2. Little Red Riding Hood. 3. The Black Dahlia. But these are just superficial resemblances really. It's so hard to talk about this book in comparison with any other piece because it is just so. damn. unique.I once wrote something about another work by this author that I think is still relevant to her work today :"Caitlin R Keirnan writes the way most people experience dreams. Similarly it it impossible to talk about her books in the same way it is impossible to talk of dreams and have the subject retain it's integrity without reducing it to either inanity or a series or random disconnected images. Reading The Drowning Girl is an exercise in wakeful dreaming."I stand by this statement.
Suzy Jackson is a very talented narrator and I would be willing to listen to other books by her. I'm just not sold on her being the right voice for this book. I don't think she has the right grip on what Kiernan is trying to do in her story - I mean this is one of the greater attempts at reinventing the novel this side of the year 2000 and Suzy's voice just sounds too ... oh, I don't know, young-ish? But everyone else here seems to love her for this story, so obviously I'm talking crazy and shouldn't be listened to.