Regular price: $24.95

Membership details Membership details
  • A 30-day trial plus your first audiobook, free.
  • 1 credit/month after trial – good for any book, any price.
  • Easy exchanges – swap any book you don’t love.
  • Keep your audiobooks, even if you cancel.
  • After your trial, Audible is just $14.95/month.
Select or Add a new payment method

Buy Now with 1 Credit

By confirming your purchase, you agree to Audible's Conditions of Use and Amazon's Privacy Notice. Taxes where applicable.

Buy Now for $24.95

Pay using card ending in
By confirming your purchase, you agree to Audible's Conditions of Use and Amazon's Privacy Notice. Taxes where applicable.

Add to Library for $0.00

By confirming your purchase, you agree to Audible's Conditions of Use and Amazon's Privacy Notice. Taxes where applicable.

Publisher's Summary

It is 1862, though not the 1862 it should be....
Time has been altered, and Sir Richard Francis Burton, the king's agent, is one of the few people who know that the world is now careening along a very different course from that which Destiny intended.
When a clockwork-powered man of brass is found abandoned in Trafalgar Square, Burton and his assistant, the wayward poet Algernon Swinburne, find themselves on the trail of the stolen Garnier Collection - black diamonds rumored to be fragments of the Lemurian Eye of Naga, a meteorite that fell to Earth in prehistoric times. His investigation leads to involvement with the media sensation of the age: the Tichborne Claimant, a man who insists that he's the long lost heir to the cursed Tichborne estate. Monstrous, bloated, and monosyllabic, he's not the aristocratic Sir Roger Tichborne known to everyone, yet the working classes come out in force to support him. They are soon rioting through the streets of London, as mysterious steam wraiths incite all-out class warfare.
From a haunted mansion to the Bedlam madhouse, from South America to Australia, from seances to a secret labyrinth, Burton struggles with shadowy opponents and his own inner demons, meeting along the way the philosopher Herbert Spencer, Isambard Kingdom Brunel, Florence Nightingale, and Charles Doyle (father of Sir Arthur Conan Doyle). Can the king's agent expose a plot that threatens to rip the British Empire apart, leading to an international conflict the like of which the world has never seen? And what part does the clockwork man have to play?
Burton and Swinburne's second adventure, The Curious Case of the Clockwork Man, is filled with eccentric steam-driven technology, grotesque characters, and a deepening mystery that pushes forward the three-volume story arc begun in The Strange Affair of Spring Heeled Jack.
Listen to more in the Burton & Swinburne series.
©2011 Mark Hodder (P)2011 Audible, Inc.
Show More Show Less

Customer Reviews

Most Helpful
5 out of 5 stars
By Chris - Audible on 04-17-12

Another excellent installment.

Clockwork Man picks up shortly after the end of Hodder’s first alternate-history, steampunk mystery and provides an if-not-better-then-equally-enjoyable adventure. I couldn’t wait to get to this after listening to the first book. Gerard Doyle once again does an incredible job jumping between multiple foreign accents as well as English dialects common to 1860s London. The main characters are more fleshed out here, and we get closer to some of the ancillary folks from the first book. There are very few slow moments throughout the book, and we really get a sense of how everything plays into the overall story arc of the trilogy (Unless there’s going to be a fourth book. Please tell me there’s a fourth book). There’s some horror, some philosophy, some mystery, some time travel, some mind-control, some clairvoyance, and oh yeah, zombies. Dandy, aristocratic zombies. Awesome.

Read More Hide me

11 of 11 people found this review helpful

4 out of 5 stars
By Sean on 07-23-12

A good story, but not without rough spots

What did you like best about The Curious Case of the Clockwork Man? What did you like least?

The story moved quickly and kept my interest. The plot was often a real problem.

What could Mark Hodder have done to make this a more enjoyable book for you?

Try to limit the number of themes in the story. Concentrate on developing better female characters.

What does Gerard Doyle bring to the story that you wouldn’t experience if you just read the book?

Gerard Doyle was excellent! His attention to accents and differentiating the characters kept Victorian Britain in my mind while I listened.

Any additional comments?

My first exposure to the Steam-punk genre was "The Difference Engine". It was a good combination of science fiction and alternate history. I've wanted to sample similar story lines and "The Curious Case of the Clockwork Man" is one foray.

I found myself liking the story in spite of itself. The pace moves quickly and the narration is excellent, really the most enjoyable part of the experience. The worst part, sorry to say, is the plot. It's a mash-up of fantasy, very little science in the fiction, and lurid horror with a cast of characters from history that bear little resemblance to the actual people of the same names. If you are in any way a skeptic of woo-woo metaphysics, be prepared to sit down with a stiff brandy before diving into this tale. Having said that, the writing and narration were good enough that I forced myself several times to suspend disbelief and just go along for the ride. And a good ride it is!

The story begins in the fractured time line caused in the first book after a traveler from the future disrupts not only history, but quite evidently the natural laws of the universe. Charles Darwin, Isambard Kingdom Brunel, Charles Babbage and a host of other Victorian science and engineering greats are recast as ambitious mad scientists. The results we see in "The Clockwork Man" is science and technology run amok with the paranormal soon to follow. Soon we discover that mesmerism really works, psychics and mediums become evil wizards and witches, magic crystals cause mayhem and an evil spell turns rioters first into cannibals and then into zombies!

The main characters of Burton and Swinburne are well developed as are many of the secondary actors. There are no well developed female characters, which is a shame given the number of places in the story where they could have been. Except for Madame Blavatsy, a self-promoting medium and fraud in real life who plays the part of the wicked witch in this story, none of the other women have anything other than supporting roles.

I did enjoy the story in spite of its shortcomings. If you enjoy steam-punk and fantasy, you will probably like it also.

Read More Hide me

6 of 6 people found this review helpful

See all Reviews