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Publisher's Summary

The Council is the governing Coven over the Land of Five, a region entirely inhabited and split apart by witches with varying powers. Lilith Lace, a witch thought to be born powerless, happily resides in Ignis, the Coven of Fire, until she suddenly develops telekinesis, an ability only seen in some witches born in Mentis, the Coven of the Mind.
When the Council finds out about her odd development, she's taken under their wing and is finally told the truth.... Everything she's learned about the Land of Five, herself included, have been nothing but lies.
©2016 Kayla Krantz (P)2018 Kayla Krantz
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Customer Reviews

Most Helpful
4 out of 5 stars
By Kay on 02-28-18

talk about a cliffhanger!

Would you listen to The Council again? Why?

If I did, it'd be for Lynn Norris. It's all about Lynn Norris. She has style, substance, wit, real intelligence, beautifully delineated characters — and oh, that voice.

What was the most interesting aspect of this story? The least interesting?

To be honest, the story is not that compelling for me, despite the energy the fabulous narrator, Lynn Norris, infused into every character and plot point. It's a decent plot, but the writing is pedestrian and gratuitously ungrammatical, with too many words just plain misused; malapropisms are indefensible in the age of Google. Also, it's all in first-person, but with glaring faux pas for that MO throughout: the narrator says stuff like, I couldn't hear what he said, and then quotes what he said verbatim. That kinda thing just yanks me out of the moment, and is such an easy fix: just switch POV now and then!

Most interesting? I guess the whole supernatural thing, for which I had high hopes going in; it can be such a gas if it's given its full due (which it emphatically wasn't in this case). The least interesting bit is the marked absence of rich, discrete cultural detail for each of the covens; the protagonists' trip through each one is cursory at best, the "mission" the characters are on is an absurd failure in terms of the paltry amount of time spent in each coven's territory, precious little interaction with inhabitants that aren't already known to them, and the lack of thought and effort they expend in identifying subversives before hustling on to the next locale. A disappointingly lazy construction of a world with little texture or nuance, leaving only the lasting impression of Lynn Norris's always exceptional work.

Oh, and BTW, that's a truly shameless (and again, lazy!) cliffhanger at the end of this book.

What about Lynn Norris’s performance did you like?

Two major things stand out here: her beautifully detailed vocal characterizations (of which my favorite here is probably Lazarus, though he's but a cameo — and that's the point, of course. No opportunity to expand the palette is overlooked.), and her full-on commitment to the breathless terror and excitement of the battle scene at the end of this story. Norris's rendering of dialog is always natural and flowing, but the identity of speakers is never lost in complicated exchanges. And her voice, the instrument itself, is just beautiful and clear at all times. She elevates the text far beyond its intrinsic value, and delivers a flawlessly paced, intelligent, emotionally rich performance. I actually search on the Audible site for books read by her. She never fails to engage and delight.

If you were to make a film of this book, what would the tag line be?

Hey, Lilith:

Are you a good witch, or a bad witch?

Do you know?

Any additional comments?

Can't wait till the material offered to Lynn Norris is worthy of her extraordinary talents.

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1 of 1 people found this review helpful

5 out of 5 stars
By Dana Louise Provo on 03-27-18

Wonderful book

This book was so much more than I imagined it would be. I loved the characters and plot. Lynn Norris’ performance matched the characters perfectly and was very entertaining to listen to. I can’t wait for the next book!

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