The highly anticipated finale to the number-one New York Times best-selling trilogy that began with A Discovery of Witches.
After traveling through time in Shadow of Night, the second book in Deborah Harkness's enchanting series, historian and witch Diana Bishop and vampire scientist Matthew Clairmont return to the present to face new crises and old enemies. At Matthew's ancestral home at Sept-Tours, they reunite with the cast of characters from A Discovery of Witches - with one significant exception. But the real threat to their future has yet to be revealed, and when it is, the search for Ashmole 782 and its missing pages takes on even more urgency. In the trilogy's final volume, Harkness deepens her themes of power and passion, family and caring, past deeds and their present consequences. In ancestral homes and university laboratories, using ancient knowledge and modern science, from the hills of the Auvergne to the palaces of Venice and beyond, the couple at last learn what the witches discovered so many centuries ago.
With more than one million copies sold in the United States and appearing in 38 foreign editions and translations, A Discovery of Witches and Shadow of Night have landed on all of the major best seller lists and garnered rave reviews from countless publications. Eagerly awaited by Harkness's legion of fans, The Book of Life brings this superbly written series to a deeply satisfying close.
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Disappointing, Inconsistent, & Irritating So Far
Such a let down. So so disappointed.
Like anyone else currently listening to this audiobook, I've been VERY eagerly and anxiously awaiting its arrival. I'm only about an hour and 40 minutes into it, but I had to stop and take a break because I was getting too irritated. I REALLY want to know what happens with everyone, but I don't know if I am going to be able to get through the book.
In the first two books, I'd noticed lots of little continuity issues when things didn't match up, either within one book or across the two books. It bothered me, but mostly it didn't interfere with the story or my LOVE of the characters and books. So far, in book 3, I'm having a hard time getting past them.
Warning, very minor spoilers ahead. They aren't important or anything, since I'm less than 2 hours into a 23 hour book.
In book 2, we were told that Baldwin even stopped in at the family home while Diana and Matthew were away. Now, suddenly, in book 3, we are supposed to believe that A) Baldwin had NO clue Diana was a time walker, and B) He had NO clue that they had gone back in time, despite the fact that he was hanging out at the house with everyone else who knew. Plus, since he's one of the knights, of course he would know what they had decided to do. Ugh.
Also, in book 1, Baldwin accepted her as his sister and even called her sister when they said goodbye at the airport. (Don't get me started on the inconsistencies in the "we're mated/we're not mated issue in book 1 and 2.) Yet he's furious that they are married etc?
That's not the worst though.
Suddenly, we are told that there's this loud call that all vampires can hear as a result of Felipe's mark on Diana/his adoption of her. Yet, in book 2, Father Hubbard had NO idea she was claimed by a vampire until she told him, and he said he would just take her word for it because no one would lie in a house of God. Also, Louisa didn't believe Diana that Felipe had adopted her in a blood ritual. How is that possible, since this call should have been screaming at her loudly enough to annoy her? The blood rage and opiates can't explain that away.
Then there are the little things, like randomly Diana is back in her linen shift from 1590, even though they changed into their modern clothes back at her house in Madison. Also, suddenly Matthew is moody and angry and even more unstable than ever, even though at the end of book 2 he was all happy and well-balanced, having healed his wounds with his father, connected fully with Diana with the ritual of taking her blood and so on. The story briefly mentions that having seen Felipe so recently now makes him mourn his loss again. Also, in book 1, it was specifically mentioned that Baldwin has "never set foot in the tower" since Matthew built it, but now in book 3 there's a sword mark on one of the stairs from when he and Matthew fought, and Baldwin charges right in and grabs Diana?
In book 2, Matthew's unpredictability was partly explained away by the fact that he wasn't drinking from Diana. Once he started doing that, supposedly things were so much better and he "knew" her. Now, he's back to acting like a clueless idiot, needing others to tell him things that he obviously should know. In London, he heard and recognized the steps of two vampires who he hadn't seen in centuries, while they were still outside on the stairs, when Father Hubbard's messengers came to their house. Yet, he had no clue Baldwin was there until he grabbed Diana? Please.
It also makes no sense that Matthew is so mad at Marcus for mating and getting engaged to Phoebe. No sense at all. And somehow it's supposed to be Marcus' fault that Emily was killed? It's like there's all this contrived drama for the sake of drama.
Aside from all the issues, the first hour and 40 minutes are just boring. It was too boring and unessential for the start of a book when we should be getting hooked. Like, Mart and Fernando in the kitchen... Normally I love her detailed scenes that take you into their lives, but it was just so unimportant and blah. The story focuses on so many different people, instead of telling it mostly from Diana's perspective. Even when she's in the scene, it was often in 3rd person narrator style. Then, randomly, it went back to "I..." from Diana's perspective.
And what's up with Cora? Diana had her under control before they left London, and suddenly she's out of control? You could argue that coming back to this time changed things, but Cora was in this time from the beginning since she's been around all of Diana's life. Plus, Gallowglass (sp?) acts like this is typical behavior.
- Sarah Silverstone
Had to stop listening and go get the book. :-(
How Jennifer Ikeda could have forgotten how she did GALLOWGLASS from SHADOW OF NIGHT is a terrible distraction from the start. She interchanges GALLOWGLASS and HAMISH and it is already so confusing to figure out just who is talking that i need to stop listening and go get the book. 2 very DIFFERENT and excellent voices that she created, beautifully, are being squashed together at a time when so much is happening but it's so distracting that it's near impossible to pay attention. Be forewarned...if you LOVE this series and LOVE how Ikeda created these amazing characters, this WILL trip you up in the first 10 minutes of reading. I'll read the book first this time...the audio can wait.
- HYLA 7