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One creature still lives in the dust and rubble of Master Drachton Below's destroyed Well-Built City: Misrix, Below's demon "son", refined and civilized by his father's loving curse of humanity. With the comforting aid of Sheer Beauty, the altered being fights his loneliness by recording the adventures of a hunter who wanders with a dog named Wood through a breathtaking wild at the realm's farthest extremities.
Cley is a man who has witnessed miracles, and both he and his world have been changed by them. But remnants of his grim past still haunt the former Physiognomist, First Class. And the old Cley cannot be buried until he meets once more with a woman he gravely disfigured - who, in turn, served as catalyst to his transformation from man of "science" to folk healer to wilderness hunter - and she waits in the true village of Wenau in the hidden heart of the Beyond.
The journey promises to be a lengthy and a dangerous one, with astonishing sights and circumstances at every turning. Demons and wraiths inhabit this strange land, feeding on flesh and terror. Each step forward brings Cley inescapable responsibilities as it carries him into the core of legend and deep into a mystery as old as time.
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By Katherine on 01-03-13
Not as inventive as predecessors
The Beyond is the last book in Jeffrey Ford’s WELL-BUILT CITY trilogy. This bizarre story began with The Physiognomy in which Cley, an arrogant and cruel physiognomist, is sent by the evil ruler Drachton Below on a mission to the mining town of Anamasobia. While there, Cley makes a bad decision which destroys the beautiful face of Arla, the woman he has fallen in love with. This humbles and devastates Cley (drastically changing his personality for the better) and leads to the destruction of Drachton Below’s Well-Built City.
In the second book, Memoranda, we find Cley in a new life — acting as herbalist and midwife in the village of Wenau. When Drachton Below, still living in the ruins of his Well-Built City, poisons the people of Wenau, Cley is the only person who can help, but he has to go into Below’s warped mind to find the antidote. He gets some help from Misrik, Below’s charming demon son.
In The Beyond, guilt-ridden Cley is compelled to seek forgiveness and redemption by searching for Arla, the woman whose face he ruined. To do this, he must traverse the mysterious Beyond, the huge cold wasteland that lies north of the Well-Built City. At first he sets out with Misrix and Wood, his old dog, but the northern wastes are teeming with demons and Misrix, a tame and well-educated demon, must turn back as he feels himself losing the civility and culture he’s learned. Cley and Wood go on without him while Misrix returns to the Well-Built City and uses a hallucinogen to watch their progress. Cley meets a few people and some strange creatures in the Beyond, learns that the Beyond is conscious and has plans for him, and then something weird and profound happens to Cley at the end.
Most of the plot of The Beyond consists of Misrix recounting Cley’s journey, but Misrix has his own subplot, too. He’s been alone and lonely in the decay of the Well-Built City because the people in the few surrounding villages think he and the city are evil. But when Misrix saves the life of a little girl, he makes a friend. This relationship brings him much joy and much pain.
Up to this point, Ford’s WELL-BUILT CITY trilogy has been inventive, exciting, and surreal. There’s so much to like: the pseudoscience of physiognomy, mechanical monsters, revived corpses, polite soul-sucking creatures, an academically-minded demon, a city built to be a memory palace, hallucinogenic drugs, thought-provoking ideas and plenty of symbolism and humor. I was hoping for more of the same creativity and bizarreness in The Beyond.
While I enjoyed the story, The Beyond didn’t quite meet my expectations. Much of the plot involves the mundane aspects of Cley’s journey — acquiring food and shelter, being cold, waiting for snow to thaw, etc, and these parts were sometimes dull. When Cley’s story finally gets going, much of it is so surreal that it’s hard to become engaged. There may have been some connections and symbolism that I missed, but, frankly, I just wasn’t engrossed enough to meditate on it. Misrix’s story, on the other hand, has more impact because it’s lucid, suspenseful and emotional, but it’s definitely the minor plot.
I love Jeffrey Ford’s style and imagination, and the audio version of The Beyond that I listened to was beautifully read by Christian Rummel. The Beyond wasn’t as good as its predecessors, but it was still worth my time.
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