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When secret organizations are forced to merge after years of enmity and bloodshed, only one person has the fearsome powers - and the bureaucratic finesse - to get the job done. Facing her greatest challenge yet, Rook Myfanwy Thomas must broker a deal between two bitter adversaries:
The Checquy - the centuries-old covert British organization that protects society from supernatural threats, and...
The Grafters - a centuries-old supernatural threat.
But as bizarre attacks sweep London, threatening to sabotage negotiations, old hatreds flare. Surrounded by spies, only the Rook and two women who absolutely hate each other can seek out the culprits before they trigger a devastating otherworldly war.
Stiletto is a novel of preternatural diplomacy, paranoia, and snide remarks from an author who "adroitly straddles the thin line between fantasy, thriller, and spoof" (Booklist).
Customer ReviewsMost Helpful
By Larry on 07-10-16
Grafters take center stage
I rank this as a 4.5 on a scale of 1 to 5
In 2012, Daniel O’Malley published his debut novel “The Rook”. An instant best seller, it was nothing short of brilliant in its vision and execution and, in my opinion, the strongest and best debut of an author since Stephen King’s “Carrie”. In short, I LOVED IT! And I am not the only one with this opinion; look at the reviews on Audible or Goodreads and you will see overwhelming adoration of not only “The Rook” as a novel but the book’s protagonist, Myfawney Thomas.
2016 brings us the sequel: Stiletto. It took awhile to get to book form but, considering the tremendous height of the bar set by “The Rook”, “Stiletto” has some huge shoes to fill so I couldn’t begrudge the extra time. I had pre-ordered the audiobook a month or more in advance and stayed up late so I could download it as soon as it was available. Yep, I am a fanboy…
I was caught off-guard immediately when not only was the book narrated by Moira Quirk (as opposed to Susan Duerdan, who narrated “The Rook”), but the book is told in first person by a young Grafter woman, Odette, and a young Checquy woman, Pawn Clemens. You have to understand that Myfawney Thomas of “The Rook” inspires such feelings of loyalty (“love” wouldn’t be too strong a word also) that it is almost heresy to not have her at the forefront of its sequel. Not only is she not at the forefront, she is barely mentioned until the second half of “Stiletto”. I see it as a huge gamble by the author, but one that I believe payed off and will ultimately provide freedom to the author in future sequels. Other reviewers will probably not agree: they will say that while “Stiletto” is good, they couldn’t get into it because Myfawney wasn’t there. This is why I felt I needed to expound on Myfawney’s overwhelming influence on the success of “The Rook”: any sequel that didn’t continue with Myfawney’s first person narrative was going to be doomed to lukewarm reviews by a significant percentage of reviewers because of her absence alone, regardless of Stiletto’s plot or the author’s skill.
A brief synopsis: “Stiletto” picks up immediately following the events of “The Rook” with the proposed incorporation of the Grafters and a Grafter delegation is in London to hammer out the terms and conditions of the Grafters joining the Checquy. The Grafters are keeping secret (or trying to) the fact that they are being systematically hunted by an unknown group. Combine this with the inbred hatred the Grafters and the Checquy are taught to feel about each other from a early age and the tension is a powder keg with a lit fuse. Stiletto is told in the first person by Odette, a young Grafter woman and the Checquy guard who is assigned as her body guard, Pawn Clemens. Through their eyes, the listener/reader gets to experience the intense hatred and mistrust that each group has for the other and to contemplate what it might take to have the two groups become one without outright civil war.
Moira Quirk delivered an outstanding performance and narration. I had noticed immediately that she was not the same narrator who performed “The Rook”, but since “Stiletto” isn’t about Myfawney Thomas, it makes sense to have a different narrator and she demonstrated skill, talent, and a remarkable amount of distinct voices and accents for the myriad of characters contained in “Stiletto”.
Bottom Line: “Stiletto” is an excellent sequel to “The Rook” if the listener/reader is able to accept it on its own merit and a continuation of the Checquy's storyline. If the audience is looking for “a part two to The Rook”, he/she is going to be disappointed. At over 23 hrs of entertainment, “Stiletto” is a welcome addition to the mythos of the Checquy and will contribute significantly to its current and future success in both plotlines and fresh characters.
19 of 19 people found this review helpful
By Amber D on 06-16-16
I have been waiting anxiously for the sequel to The Rook for so long and it did not disappoint! Like the X-Files were blended up with the X-Men by Terry Pratchett. I always hate to leave the world of the Checquey. And, of course, Moira Quirk did an excellent job with the narration.
3 of 3 people found this review helpful