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I was pretty excited about listening to this book. I had the series listed on goodreads for ages to read. My excitement was short lived however, I really couldn't get into the story line. I hated the way the main character is described and she had no personality to me. I also really hated the narration, I actually feel bad writing this but the voice was like nails on a chalkboard. All in all this was not for me.
1 of 1 people found this review helpful
Where does Soulless rank among all the audiobooks you’ve listened to so far?
One of my absolute favourite!
What other book might you compare Soulless to and why?
Very few books are as quirky and different as this one. The adventures of Amelia Peabody are in a similar style but without the fantasy.
What about Emily Gray’s performance did you like?
Emily Gray does a great job of creating unique voices for the characters so when listening its so much easier and interesting... I particularly love Conall's voice.
Was there a moment in the book that particularly moved you?
Most of the book moved me to laughter, fantastic humour!
Any additional comments?
Read it, read the rest of the series, read all books by Gail Carriger
This book has taught me a lot - that there is a sub-genre called steampunk, several new words, and last but not least that there are still books that manage to bring on a new angle on the whole vampire and werewolf-hype.
The book's main character is Alexia Tarabotti, a person without soul, a so-called preternatural. In perfect logical conclusion, she cancels out the supernatural abilites of vampires and werewolves. She is a spinster, an intelligent, italian-looking spinster with decidedly strong opinions. When she keeps bumping into gruff werewolf-pack-leader, Lord Maccon, they discover that they feel a growing mutual attraction - despite the infamous hedgehog incident! But supernaturals keep disappearing, and what is going on behind the doors of the new Hypocras club?
Set in a slightly different version of Victorian England (with a lot more steam, and maybe even more etiquette), the characters move according to social rules, but they manage to finagle (see?! new word!) everything just as they wish it.
Apart from flawless story-development, likable characters and logical inner workings the book greatly benefits from the truly outstanding vocabulary, the witty dialogues and the prospect of books two, three and four.
The narrator keeps the characters distinguishable and manages to convey the properness of the British stiff upper lip.
6 of 6 people found this review helpful
“Soulless” did not live down to its title. It is, in fact, a book that demonstrates remarkable spirit and significant amounts of pluck under pressure.
Set in an alternative Victorian London, in which vampires and werewolves have been Establishment figures for centuries, dirigibles fill the sky and respectable young ladies do not move about town without a chaperon, “Soulless” tells of the trials and tribulations that befall the remarkable Miss Alexia Tarabotti after she unintentionally kills an impertinent vampire with the aid of a hair stick and a parasol.
Miss Tarabotti is remarkable not because of the stain of having had an Italian father from whom she has inherited unfashionably tanned skin and an over-proud nose, nor because, at twenty-seven she is still a spinster, nor even because of a regrettable tendency to read science and ask inconvenient questions, but rather because she was born without a soul. Being soulless gives her the ability to neutralize the powers of supernatural beings, cancelling out the over-abundance of soul that is believed to explain their existence.
“Soulless” is witty, fast-paced, and complex: It is delivered with a deftness of touch that keeps it from plummeting into the horrors of pastiche. It is far from simple to create a Victorian feel to a book while introducing supernatural beings and an alternative political history but Gail Carriger does it with an ease of execution and flair for linguistic nuance which enables me almost completely to overlook the misfortune of her having been born in America. This is, after all, not her fault.
“Soulless” provided me with a splendid diversion from its first page to its last. It was aided in this by skillful and playful narration by Emily Gray, who mastered not only the rhythm of the language and the pace of the humour but the wide variety of voices and accents that the book calls for.
If you feel the need, or simply are privileged enough to have the opportunity, to spend a few hours away from the cares and traumas of the early twenty-first century, then this reader recommends an excursion into a supernatural Victorian London in the company of Miss Alexia Tarabotti.
3 of 3 people found this review helpful