Year One-Knife, Tenochtitlan – the capital of the Aztecs. The end of the world is kept at bay only by the magic of human sacrifice. A priestess disappears from an empty room drenched in blood. Acatl, high priest, must find her, or break the boundaries between the worlds of the living and the dead. But how do you find someone, living or dead, in a world where blood sacrifices are an everyday occurrence and the very gods stalk the streets?More
"Gripping mystery steeped in blood and ancient Aztec magic. I was enthralled" (Sean Williams)"Part murder mystery, part well-researched historical novel and part fantasy...The fantasy element blends neatly with the other parts" (SFX Magazine)"An Aztec priest of the dead tries to solve a murder mystery, and finds that politics may be even more powerful than magic. A vivid portrayal of an interesting culture in a truly fresh fantasy novel." (Kevin J. Anderson New York Times bestselling author)"Amid the mud and maize of the Mexica empire, Aliette de Bodard has composed a riveting story of murder, magic and sibling rivalry." (Elizabeth Bear)"I haven’t enjoyed a proper detective story this much in ages, and the rich setting, monsters and magic just added an extra layer of delight." (David Devereux)
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Couldn't get through it.
I hate when an author makes words up. If you want to make an example of something from a chess game, just do it. Or a new word to describe a king or an official. Maybe one or two throughout the story would be OK but I don't want to learn a new language just to enjoy a story. And those annoying names that he gave the characters. I didn't know one from the next. I had to give up.