Regular price: $20.99

Membership details Membership details
  • A 30-day trial plus your first audiobook, free.
  • 1 credit/month after trial – good for any book, any price.
  • Easy exchanges – swap any book you don’t love.
  • Keep your audiobooks, even if you cancel.
  • After your trial, Audible is just $14.95/month.
Select or Add a new payment method

Buy Now with 1 Credit

By confirming your purchase, you agree to Audible's Conditions of Use and Amazon's Privacy Notice. Taxes where applicable.

Buy Now for $20.99

Pay using card ending in
By confirming your purchase, you agree to Audible's Conditions of Use and Amazon's Privacy Notice. Taxes where applicable.

Publisher's Summary

Meet U. - a corporate anthropologist secreted in the basement of a large consultancy. U. spends his time toiling away at a great, epoch-defining public project that no one, least of all its own creators, understands. Besieged by data, confronted at every turn by the fact of his own redundancy, U. grows obsessed with the images - oil spills, Rollerbladers heading nowhere over streets that revolutionaries once tore up, zombies on parade - that the world and all its veil-like screens bombard him with on a daily basis. Is there a plot at work behind the veil? Is it buffering a portal to the technological divine? Who killed the parachutist in the news? And what's this got to do with South Pacific cargo cults? U.'s disconnected notes from underground in fact amount to an impassioned, integrated vision - of disintegration. Satin Island is a book that captures our out-of-joint times like no other.
©2015 Tom McCarthy (P)2015   Recorded Books
Show More Show Less

Customer Reviews

Most Helpful
3 out of 5 stars
By Darwin8u on 05-29-15

A glossy weft surface but a dull warped back.

I'm going to bounce back and forth between three and four stars on this one. When McCarthy is writing about things and dancing through data, symbols, fabrics, etc his prose reminds me of William Gibson and his Blue Ant trilogy. He has a way of organizing chaos or at least describing the chaos in a way that allows the reader to float and sometimes surf his text. When McCarthy is writing about place and people he reminds me a bit of J.G. Ballard (especially books like Crash and Super-Cannes). He creates an ambiant zone of transgressive urgency that is as smooth as Brian Eno pissing into Duchamp's little fountain.

But dear Lord, just skip the sections when he writes dialogue. They hurt. They feel like I was dropped from some lush avant-garden to some backwoods, underwatered, status of woe. Cotton-mouthed, McCarthy writes conversations that would be better dressed in most YA fan fiction. OK. Perhaps, I've gone too far, but seriously, the dialogue needed a bit of work. Other than that, it was a good book and didn't scare me away from reading more of Tom McCarthy

Read More Hide me

18 of 21 people found this review helpful

4 out of 5 stars
By Darryl on 05-12-15

Pynchon-esque

I loved this novel until very end. Not to say the end wasn't in keeping with the style and theme of the novel but I needed something a bit more and I can't even say for sure what that might be. In many respects it is very much a modern novel like Crying of Lot 49 etc. in which many details are presented to protagonist and reader and you make connections that may or may not be there or lead where you think. I don't know exactly what it is about ending that bothers me and it may be that I got too caught up in what I had decyphered as the purpose/meaning of the novel and I tripped myself up. I may try it again and I have Langton's Remainder to do on a friend's recommendation and he really loved both of them, and I may also after another go. As I said I totally loved it right to very end.

Read More Hide me

3 of 3 people found this review helpful

See all Reviews
© Copyright 1997 - 2018 Audible, Inc