We live across the thousand dunes with grit in our teeth and sand in our homes. No one will come for us. No one will save us. This is our life, diving for remnants of the old world so that we may build what the wind destroys. No one is looking down on us. Those constellations in the night sky? Those are the backs of gods we see.
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New world, not as compelling as Wool
It's value neutral, no time lost and a little bit of a gain.
Sand doesn't stand up to Howie's first series of books (Wool, Shift, Dust). The world building and character development are lacking compared to the riveting Silo world of Wool, which was enjoyable and addictive. You cared about the characters in Wool even if the lines between good folks and bad eggs were a bit simplistic. In this book, more of the same of that but without the same general development and attention to detail. The people and the world of Sand just exist (despite all the action) and are not as compelling.
Slight spoiler as example:
The glaring treatment of Mom as Dystopian prostitute is just hammered home (no pun intended) every time the character was in the scene or beyond. Her children, near and far, do not have an interaction with a friend or stranger without their mom's (survive or perish) profession being thrown in their face as a slut-shaming joke. I mean it, every time. It's lazy, clumsy, and somewhat awkward until it becomes distractingly annoying.
While I've never found Howey to be sophisticated in his handling of adult relationships or sex in general, I thought he was better than this.
She did a great job. Howey writes straightforwardly and without flourish (or variety) and Chilton bought the story to life and made it what I think would be a better listen than read. I did listen at 1.25 narration speed but it was not due to the narrator (it worked well at both speeds) but the writing.
I kept thinking of Kevin Costner in Postman and Water World even though the only middle-aged man who is a 'would be' a main character is but a distant memory to the family in Sand. This not a good sign. I'd much rather see Wool as a mini-series!
I'm on the fence about the rest of series, even though the story picked up at the end with some of the most thoughtful writing and the only real moments of intrigue in the book. Like the best of Howey's characters though, I do have hope...
Ugh. Hugh, what happened?
I am normally a big Hugh Howey fan, but what the hay? This was a very interesting story line (as usual) but it felt fragmented and disjointed. I really could have cared less what happened to the main characters. Although Karen Chilton is a fine actress, there were just too many mispronunciations (three when I quit counting) for me to get past. These were not terms or character portrayals, just things a director or audio editor should have caught. What a bust, the two star rankings are only because I think there was potential for both the story line and the acting, but it just didn't cut it.
Something other than scifi/fantasy.
Mispronouncing common terms that had nothing to do with the story line or characters. She just blew it on the read and no one seemed to catch it.
Emptiness...why should I care what happens next?
Skip this one unless it's on the $4.95 sale rack and you can't live without knowing.