Crispin is a mosaicist, a layer of bright tiles. Still grieving for the family he lost to the plaque, he lives only for his arcane craft. But an imperial summons from Valerius the Trakesian to Sarantium, the most magnificent place in the world, is difficult to resist. In a world half-wild and tangled with magic, a journey to Sarantium means a walk into destiny. Bearing with him a deadly secret and a Queen's seductive promise, guarded only by his own wits and a talisman from an alchemist's treasury, Crispin sets out for the fabled city. Along the way he will encounter a great beast from the mythic past, and in robbing the zubir of its prize, he wins a woman's devotion and a man's loyalty - and loses a gift he didn't know he had until it was gone. Once in this city ruled by intrigue and violence, he must find his own source of power. Struggling to deal with the dangers and seductive lures of the men and woman around him, Crispin does discover it, in a most unusual place - high on the scaffolding of the greatest work of art ever imagined....
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I held off on reviewing this until I had listened to both books in the series. With that being said, I found the series really enjoyable.
The story itself is mainly focused on Crispin, an artist trying to fufill the accomplishment of his life time, the Sarantine Mosaic. The story, much like Crispin's art, is a mosaic of many different characters. Guy will often go off on wild tangents with seemingly random characters in an effort to build the story as a whole. This effect is powerful in the hands of a great story teller, which Guy certainly is.
I've read a few reviews that claim Berny Clark was a bad narrator. I'll admit it caused me to hesitate in purchasing book one. I'm glad I still went through with the purchase because I found no real fault in Clark's performance. If you are unsure I suggest you listen to the sample provided by Audible.
I will also comment that Guy REALLY likes to put these little twists in the last few pages of his books. I take it with a grain of salt and choose to ignore the cases where he demeans the overall story, see Song for Arbonne.
Overall I highly recommend this series if your a fan of Guy Kay, and even if you haven't read any of his works before.
The new emperor in Sarantium has a lot to atone for, so he’s building a grand chapel to his god and calling the most famous artisans in the surrounding regions to come work for him. Crispin, a mosaicist from a neighboring country, is one of these. Unhappy since his wife and children died, Crispin doesn’t think he has much to live for anymore, and he doesn’t want to go to Sarantium. But when his young queen, who sits her throne precariously, asks Crispin to carry a secret proposal to the already-married emperor of Sarantium, Crispin is duty-bound. Now he is “sailing to Sarantium,” which means that he’s leaving everything behind to start a promising new life. Along the way, he befriends an alchemist with strange powers, a young woman who’s about to be sacrificed to a god, and a foul-mouthed army officer who loves to watch the chariot races. When Crispin gets to Sarantium, he finds that decorating the biggest dome in the world isn’t the hardest part of his job — it’s navigating Sarantium court politics.
Sailing to Sarantium, the first book in Guy Gavriel Kay’s duology THE SARANTINE MOSAIC, is a historical fantasy loosely based on the Byzantine Empire. It’s a well-written slow-moving character-driven novel that’s full of the violence, sex, political intrigue, passion, and beauty we expect from Kay. If you’re a fan, you’re bound to enjoy this story. I particularly admired the focus on the art of mosaic — both the technique and the way Crispin and his fellow artisans love beauty and are attuned to the play of light, shadow, and color in their environment. I also loved the alchemist’s craft of creating birds of leather and metal and instilling them with personalities (there’s more to it, and it’s cool, but it’d be spoilery to explain further). This was not only a beautiful idea, but it added a nice touch of humor. I also loved the chariot races.
There are several likeable characters in Sailing to Sarantium but they spend more time thinking than doing and they’re really hard to believe in. Like most (maybe all) of Kay’s lead males, Crispin is brilliant, strong, brave, blunt and uncompromising (even when he knows he might be killed for it). The women are even more unbelievable. We’re told that they’re powerful, clever and dangerous, but mostly they go around looking beautiful and haughty, teasing men and speaking in arch tones, and using sex as a weapon. Almost every woman we meet in Sailing to Sarantium, other than Crispin’s mother, tries to seduce Crispin as soon as she meets him, though I’m not sure why.
The political intrigue is a bit over the top, too. As soon as Crispin arrives in Sarantium, he’s somehow unwittingly in the middle of all the maneuvering, with all the important people wanting to talk to him privately, seduce him, or murder him. We are repeatedly told how clever, subtle, and nuanced all these people are, but I’m not convinced. It’s not clear why they are scheming. Most of the interesting intrigue seems to have happened in the past and we never feel the immediate significance of it all, which just makes it feel overdramatized.
Overall, Sailing to Sarantium is a pleasant story if you’re willing to believe in the characters and the significance of the plot. This was hard for me, but I like Crispin and some of the other characters (e.g., the army officer, the famous chef and his apprentice, and the charioteer) and I’m interested in the mosaic and the birds, so I’m going to move on to the second SARANTINE MOSAIC novel, Lord of Emperors, and hope for a bigger pay-off. I’m listening to Berny Clark narrate Audible Frontier’s recent production of THE SARANTINE MOSAIC. He has an agreeable voice and his dialogue is truly excellent, but some of his narration is slow and lacks inflection. I actually didn’t mind this because I thought it served to tone down the drama, but readers who’ve enjoyed other audio productions of Guy Gavriel Kay’s work, which have had more dynamic readers, may feel differently. I suggest listening to a sample. Originally posted at FanLit.