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Change is afoot in Ankh-Morpork. Discworld's first steam engine has arrived, and once again Moist von Lipwig finds himself with a new and challenging job.
“A spectacular novel, and a gift from a beloved writer to his millions of fans. . . . A tremendous synthesis of everything that makes Pratchett one of the world’s most delightful writers.”
—Cory Doctorow, Boing Boing
“From the first, the novels demonstrated Pratchett's eye for telling detail and the absurdities of the human condition. . . . He remains one of the most consistently funny writers around; a master of the stealth simile, the time-delay pun and the deflationary three-part list. . . . I could tell which of my fellow tube passengers had downloaded it to their e-readers by the bouts of spontaneous laughter.”
—Ben Aaronovitch, The Guardian
"Terry Pratchett’s creation is still going strong after 30 years. . . . Most aficionados, however, will be on the look-out for in-jokes and references from previous novels—of which there is no shortage. Discworld’s success, like that of Wodehouse’s Jeeves and Wooster stories, has never been driven by the plots. . . . It is at the level of the sentence that Pratchett wins his fans.”
—Andrew McKie, The Times (London)
Praise for Terry Pratchett
“Terry Pratchett may still be pegged as a comic novelist, but . . . he’s a lot more. In his range of invented characters, his adroit storytelling, and his clear-eyed acceptance of humankind’s foibles, he reminds me of no one in English literature as much as Geoffrey Chaucer. No kidding.”
—Michael Dirda, The Washington Post Book World
“Given his prolificacy and breezy style, it’s easy to underestimate Pratchett. . . . He’s far more than a talented jokesmith, though. His books are almost always better than they have to be.”
—Michael Berry, San Francisco Chronicle
“Nonstop wit. . . . Pratchett is a master of juggling multiple plotlines and multiplying punchlines.”
—Ken Barnes, USA Today
Customer ReviewsMost Helpful
By David on 04-15-14
So much more than funny
It is hard to know how to characterize this and so many of Pratchett's other books in order to convey the desired impression which is, "If you have not already tried them, you really should read one right now." If a review mentions the goblins and trolls and werewolves and vampires, and the Leprechauns and, oh yes, the witches, it risks giving entirely the wrong impression. These have nothing in common with Tolkien and the least of them is far more human than your standard fantasy hero. If one refers to Pratchett as a brilliant humorist with a needle sharp wit, it suggests a self-conscious wordsmith who is too clever by half. Referring to his ability to crystallize the essence of human folly with deftly drawn plots which prick all our narrowest prejudices and suppositions with unerring accuracy suggests a tiresome agenda dressed up in borrowed whimsy.
Perhaps it is simplest just to say that his books are an accumulated treasure trove of wisdom and delight. This particular one is not the best place to begin exploring since it depends upon some familiarity with its forebears for complete appreciation. This is, after all, book 40. But you needn't go back to book one. I would suggest Going Postal, which will get you nicely on track for the characters in Raising Steam. My personal favorite is Monstrous Regiment, but a quick survey of the reviews for the books Audible offers should give you an idea of other starting places. And since both the narrators available are terrific, you can't go wrong there either.
One caveat. It may take you more than a chapter to get into the swing of things in Disk World. In fact, one of the hallmarks of these books is that their meaning and relevance accumulates, moving from whimsy to wisdom as each story progresses. This particular one starts a little more slowly than most and depends somewhat more on its predecessors, but by the end I was entirely delighted. Enjoy!
30 of 31 people found this review helpful
By H. Laurence Lareau on 03-27-14
Kind of a farewell tour
Stephen Briggs is a standout narrator, as Discworld listeners already know. He (along with Nigel Planer) is as much a part of the series as the characters, much like Jim Dale is for the Harry Potter books or James Marsters is for the Dresden Files. And Terry Pratchett is a singularly gifted writer: nimble with stories, pointed with social relevance, creative and vivid with his fantasy worlds.
But there is a feel to this book that's similar to all the post-climax scenes in Star Wars movies or to all the post-climax moments in Peter Jackson's Lord of the Rings movies. This feels more about wrapping up relationships and bringing some kinds of closure to the Discworld than it does like an addition to the magnificent multi-volume romp that life in the Discworld has been so far. And that's perfectly understandable: Pratchett's career is winding to a close, and so, I guess, should the series. But there is an unaccustomed tinge of melancholy permeating the typically fine story that didn't feel right.
It's always sad to say good-bye.
9 of 9 people found this review helpful