No Return

  • by Zachary Jernigan
  • Narrated by John FitzGibbon
  • 13 hrs and 50 mins
  • Unabridged Audiobook

Publisher's Summary

On Jeroun, there is no question as to whether God exists - only what his intentions are.
Under the looming judgment of Adrash and his ultimate weapon - a string of spinning spheres beside the moon known as The Needle - warring factions of white and black suits prove their opposition to the orbiting god with the great fighting tournament of Danoor, on the far side of Jeroun's only inhabitable continent.
From the 13th Order of Black Suits comes Vedas, a young master of martial arts, laden with guilt over the death of one of his students. Traveling with him are Churls, a warrior woman and mercenary haunted by the ghost of her daughter, and Berun, a constructed man made of modular spheres possessed by the foul spirit of his creator. Together they must brave their own demons, as well as thieves, mages, beasts, dearth, and hardship on the perilous road to Danoor, and the bloody sectarian battle that is sure to follow.
On the other side of the world, unbeknownst to the travelers, Ebn and Pol of the Royal Outbound Mages (astronauts using Alchemical magic to achieve space flight) have formed a plan to appease Adrash and bring peace to the planet. But Ebn and Pol each have their own clandestine agendas - which may call down the wrath of the very god they hope to woo.
Who may know the mind of God? And who in their right mind would seek to defy him? Gritty, erotic, and fast-paced, author Zachary Jernigan takes you on a sensuous ride through a world at the knife-edge of salvation and destruction, in one of the year's most exciting fantasy epics.


Audible Editor Reviews

Zachary Jernigan's No Return tells the daring, complex story of a fantasy world in which the proven existence of a god seems to have done little to solve the problems that religious dissent traditionally cause. Jernigan grapples with issues of divinity, while simultaneously telling a sensual, gripping story, featuring compelling characters and admirable world building.
John FitzGibbon's grave voice suits the depth of Jernigan's subject matter well, and his performance lends equal weight to thrilling action sequences and dark existential contemplation. His delivery of the audiobook is strong and thoughtful, imbuing Jernigan's words with a truer and deeper power even than they may have had on the page.


What the Critics Say

"This debut science fantasy is a fascinating exploration of how atheism might function in a world where everyone knows that God (or at least, a god) exists.... FitzGibbon has a deep, resonant, stately voice, suitable to the thoughtful nature of the story; it works particularly well for Berun, the constructed man (essentially a magical android) who discovers previously untapped depths of emotion and seeks to free himself from his maker. FitzGibbon also narrates scenes of vicious fighting, space voyaging, and tantric sex with verve and sizzle." (Locus)


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Customer Reviews

Most Helpful

A stunning and original debut fantasy

In a crowded year of strong debut fantasy novels, "No Return" is a very strong contender. Beginning with an assured voice, a prologue of a pitiless landscape of an hallucinogenic salt lake, expanding out to a world whose currency is the powdered skin of an Elder race, populated by (among others) rival enclaves of warrior monks engaging in ritualized battles to defend and proselytize their competing faiths. There is a god with city-killing orbital kinetic ordinance at his whim; there are deeply weird and sexualized alchemistic magics; there are sentient constructs of magical metal spheres; there are dragons and ghosts.

The narrative is split along 5 principle points of view in a rotating fashion, across two primary storylines. In the first, it is a 'journey' narrative, in which we meet the three companions who form a bond as they travel to a massive gladiatorial tournament. These three are 1. a warrior monk, 2. a female sell-sword, and 3. a construct. In the other, it is a more political/academic setting of advanced magical research, and the power struggles (and competing lusts) of a senior mage and one of her more junior colleagues with experimental theories. These "outbound mages" make excursions to space, to observe the god and take measurements of his "spheres" -- the two smallest of which had been used centuries before to demonstrate the planet-killing power at hand.

The world builds and deepens and widens; the journey narrative treks us through disparate peoples and landscapes and histories, developing the characters and (through flashbacks) providing back stories as well. Throughout there's always the atmosphere of a deeper world at work, at mysteries not yet revealed. Who is the god Adrash, what does he want? Building toward dual climaxes in both narratives and powering on into denouement and stage-setting for a sequel, a lengthy epilogue serves to further widen the mysteries of this world by another deep breath. All in all, a very strong, no-holds-barred and emotionally impactful debut novel by Jernigan, whose short fiction I have followed on and off through M-BRANE SF and Asimov's. His is a bold, determined voice, with a razor's edge balance of rawness and assuredness; each character's point of view was distinct and fully realized. This is absolutely an heroic fantasy novel not to be missed.

I had never heard of the narrator John FitzGibbon before; presumably he was found by Audible through taking on stipend-eligible ACX titles. In any case he appears to be a US stage actor, and this training serves him exceedingly, exceedingly well. There are some passages of potentially uncomfortable content, from eviscerating violence to explicit sexual encounters. FitzGibbon does not shy away from any of these, nor over-emphasize in a campy way. His voices for each character are solid and distinct, bringing accents which accentuate the character's backgrounds. In particular his voice for the construct, Berun, is as outstanding a character voice as you'll find in audio.

Highly recommended.
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- Samuel Montgomery-Blinn "I'm a voracious audiobibliophile, mainly interested in speculative fiction, with the occasional mimetic fiction or non-fiction title sneaking in."

Visceral and cerebral mix in this heady SF/Fantasy

It took me awhile to put together the review for this novel. The plot can be summed up relatively quickly, for what it is worth: it is a story of a group of traveling companions heading to a marshal arts tournament, and the story of a group of mage/astronauts trying to appease an angry god. This doesn't help explain the book much, however, and the best way to give a sense of what the book really is involves comparison with other important works in SF and fantasy. This is, in part, because the audiobook manages to invoke many tropes and touchpoints in the best science fiction and fantasy novels while remaining entirely its own entity.

With its picaresque wanderings and mingling of science fiction elements (robots, space travel, orbiting weapons) and fantasy (gods, magic, potions) it invokes Vance's Dying Earth, Harrison's Virconium, and Wolfe's Book of the New Sun. There are lots of amazing wonders, an immense land full of history, and the sense of an ancient and tired world with its own rules. The book is more playful than these grim (but excellent) comparisons, though it does suffer a bit from their flaws: if the world is odd and the book involves travel, many of the events that happen seem random. There are moments in the book where things happen suddenly, and it is hard to know what to expect, or anticipate the consequences of the characters choices. At its best, this is wonderful; but it can also be tiring, as the characters wander from event to event.

On the other hand, the attention to the inner lives of the flawed characters, along with their sharply observed interactions and the visceral attention to the physical nature of the characters (lots of blood, sex, and sweat here) invoke Joe Abercrombie, Richard Morgan, and the rest of the recent grimdark fantasy writers. There is plenty of fighting, coupling, lust and revenge to go around, and the novel also delves deeply into the motivations and histories of the main characters. This, too, can occasionally be over the top, and the reader seems to over-enunciate every body part being caressed or crushed, making the reading, which is mostly fine, seem a little awkward and even embarrassing at times.

So, there is a lot of brilliance here, and lots of novelty. It doesn't always feel like the parts of the novel fully connect, though there are potential sequels for that, but it is rarely less than interesting. The sheer intensity of the interactions, combined with the repeated unexpected plot twists, can make it hard to deeply engage the novel for too long at a time, but that might be me. Certainly, don't let these issues (and the mediocre reading) scare you away from an original, exciting debut.
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- Ethan M. "On Audible since the late 1990s, mostly science fiction, fantasy, history & science. I rarely review 1-2 star books that I can't get through"

Book Details

  • Release Date: 03-05-2013
  • Publisher: Audible Studios