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By Garrett Matthew on 10-14-14
Audio Not the Way to Go Here
Would you try another book from Charles Yu and/or James Yaegashi?
I would not rule it out for either, though I was more fond of the performance than the writing. I also understand that the print version of the book has a lot of visual material which adds to the experience. I can't help but feel that, missing that in the audio version, I missed too much about what makes this book work. Perhaps I'll read Yu in the future, rather than listen.
Has How to Live Safely in a Science Fictional Universe turned you off from other books in this genre?
No. That's insane. I resent the question itself.
What did you like about the performance? What did you dislike?
James Yaegashi's performance was workmanlike at least. It can be hard for me to separate the performance from the text when I don't like the latter, but perhaps it's a testament to Yaegashi that I found the performance solid despite the text.
If there's one thing that stands out to me, though, it is how much I appreciate the fact that a book written by an Asian American, featuring an Asian American protagonist and narrator, was cast to an Asian American performer when, in theory, any disembodied voice would do. That's good representation, and it's worth points in my book.
What reaction did this book spark in you? Anger, sadness, disappointment?
I felt mostly disappointed by the book, and it's possible to chock that up to misguided expectations. I was expecting a playground of references and in-jokes and meta-genre wackiness, and the book mostly dispenses with these early on. Later, when I started to understand that the book was thinking about the first-generation experience, I expected it to... I don't know... do more with that. Too much of the text ended up being devoted to tedious accounts of watered down time travel theory and extremely labored reminders of non-linearity. This was, to some extent, by design -- the narrator's inability to move forward with his life is demonstrated by how focused he is on meaningless tedium. But it was, well, really, really tedious.
As I said above, I learned later that a lot of the fun of this book is tied up in its visual play, and I can't help feeling that the text doesn't work very well without that.
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