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Publisher's Summary

The final book in Mira Grant's terrifying Parasitology trilogy.
The outbreak has spread, tearing apart the foundations of society, as implanted tapeworms have turned their human hosts into a seemingly mindless mob.
Sal and her family are trapped between bad and worse and must find a way to compromise between the two sides of their nature before the battle becomes large enough to destroy humanity and everything that humanity has built...including the chimera.
The broken doors are closing. Can Sal make it home?
For more from Mira Grant, check out:
Newsflesh Short Fiction
Apocalypse Scenario: The Box
San Diego 2014: The Last Stand of the California Browncoats
How Green This Land, How Blue This Sea
The Day the Dead Came to Show and Tell
Please Do Not Taunt the Octopus
©2015 Mira Grant (P)2015 Hachette Audio
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Customer Reviews

Most Helpful
1 out of 5 stars
By Gloria on 12-01-15

Avoid- the third book really didn't get better...

Parasite was intriguing, a little slow. Symbiont was just filler but a reviewer said "well, it was supposed to be 2 books but apparently the publishers wanted to stretch it to 3 books" and I certainly could believe that. I wanted to finish the series and get answers to the questions like "Why do the sleepwalkers know her name?"

Instead I got more filler, more contrived scenes, no answers, more confusion over what the heck Sal's dad knew or did, and more annoyance with Sal.

Very disappointing as there were interesting ideas laid out in the first novel.

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4 of 4 people found this review helpful

3 out of 5 stars
By Pam on 12-07-15

Many unanswered questions

While the premise of this series is an excellent one for exploring themes of identity (If a tapeworm takes over your brain, are you still you? Who do you want to be?), the execution of it falls a little flat in this third installment. Some questions have have lingered from the first book go unanswered, while others are tied up in too neat of a bow. I'm left thinking that the story could have been told in one or two books instead of three. Or maybe it should be four or five. (See what I mean? Hard to tell.) I don't want to give the impression that the book is poorly written, because it's really quite well written—just not structured properly, perhaps. The narrator struggles with one character's British accent, and that was quite distracting. Still, I'm optimistic enough to read the author's future works, and see where she goes from here.

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3 of 3 people found this review helpful

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