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I thought I would LOVE this book -- I mean, zombies, steampunk (with Zeppelins), what's not to like? Well, I guess a strong narrative and plot would have helped. Also, I never really felt engaged to any of the characters and kept hoping they would stumble across some zombies to add a bit of zest.
The performance, for the most part, is well done, although when the 2 primary characters come together, it becomes a bit confusing (as we have become used to Wil reading Zeke's lines and Kate reading Briars's spots, so it takes some getting used to as they read chapters without regard to who is speaking.)
Overall, I recommend a pass on this book unless you just rally love Steampunk.
9 of 9 people found this review helpful
After reading great books like the Hunger Games and The Knife of Never Letting Go, I wondered what makes a book, Ya. I thought It meant no sex, but after reading this book, I now know it means, it reads like it was written by a youth.
The concept of the story was pretty good, reminding me of Sanderson's "Elantris" and the movie," Escape From New York". Unfortunately, CP failed to capitalize on a great story Idea.
Briar Wilkes the main character has no character. She is a boring droll individual. I could easily understand why her husband was bored with her.
I have never heard so many cliches in one book in my life.
Even the Zombies are boring in this book. The mad scientist is pretty tame and lame.
I will admit that I did listen to all of it, because I did want to find out what was going to happen and there was a small twist at the end.
Cherie is not going to break out of the YA category with this type of effort.
I enjoyed Wil Wheaton's performance and Kate Reading was good in all, but her interpretation of Briar Wilkes. She did not help make her real, using the same voice she used for Aes Sedai. While it worked for Aes Sedai it does not work for a Mom with a son in danger.
16 of 18 people found this review helpful
Well I really listened to it rather than read it. An exciting roller-coaster ride full of gunfights, dirigibles, infernal machines and zombies. But not only that, rounded characters you really care about. A perfect steampunk adventure.
4 of 4 people found this review helpful
I enjoyed listening to this book but I thought the plot was a little daft and facets of the story were flawed, so that I found it difficult to believe and get involved in it.
For example, inside the walled-off city there are hundreds of typically slow, loping and utterly unscary undead. Some 'living' people chose to remain in the poisoned city when the wall was erected and now eek out a living and existence there. The main protagonists enter the city 16 years after the wall went up and are chased by the undead only to be saved by one of the (living) locals who has a mechanical 'clapper' device. This sonic weapon stuns and incapacitates great swathes of the marauding zombies for maybe five minutes. My point is, why hasn't anyone done the kind thing and despatched all the undead while they are lying prone and unable to defend themselves? This weapon introduces the possibility that the living could have cleared the whole city of the undead in maybe the first week (after its invention), but instead are themselves being picked off by the zombies, some of whom must be eligible for bus-passes by now.
Also, a toxic smog covers the whole city, but the wealthy seem to have crops and chickens for food, with no mention of how this trick is achieved - maybe mini gas-masks for the chickens?
It was points like these that frustrated me a little, since the society that has been carved out in the city has not been thought out properly by the author, and if she's not clear on how the city has evolved over the years, what hope is there for me?
If you can suspend, or preferably throttle your disbelief for a few hours, this was an entertaining listen, which I thought was well read by both narrators, who made a good effort of bringing Ms Priest's characters and story to undeath.
3 of 3 people found this review helpful