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A historian who speaks with the dead is ensnared by the past. A child who feels no pain and who should not exist sees the future. Between them are truths that will shake worlds.
In a distant future, no remnants of human beings remain, but their successors thrive throughout the galaxy. These are the offspring of humanity's genius-animals uplifted into walking, talking, sentient beings. The Fant are one such species: anthropomorphic elephants ostracized by other races and long ago exiled to the rainy ghetto world of Barsk. There, they develop medicines upon which all species now depend. The most coveted of these drugs is koph, which allows a small number of users to interact with the recently deceased and learn their secrets. To break the Fant's control of koph, an offworld shadow group attempts to force the Fant to surrender their knowledge.
Jorl, a Fant Speaker with the dead, is compelled to question his deceased best friend, who years ago mysteriously committed suicide. In so doing, Jorl unearths a secret the powers that be would prefer to keep buried forever. Meanwhile, his dead friend's son, a physically challenged young Fant named Pizlo, is driven by disturbing visions to take his first unsteady steps toward an uncertain future.
Customer ReviewsMost Helpful
By Connor Penhale on 11-26-16
This is the greatest book I've ever read
I have never been more affected by a story. A masterpiece. The pacing of the narrative is deliberate and the collision of interstellar precognition with old-world prophecy is delightfully told. I remain intrigued by the universe the story was told in, and blown away by the dynamism of the characters portrayed.
12 of 12 people found this review helpful
By Jonathan on 04-12-16
Wonderful on so many levels.
What other book might you compare Barsk: The Elephants' Graveyard to and why?
Although I will say that as a sci-fi book, which bits that take place in space, there's little to no tech discussed at all. You could call it sci-fantasy, but aside from precognitives, telepaths, and the idea that you can summon the dead by way of calling on their memories, there's nothing Fantastical about it either. The book feels more like a mystery and a political thriller, and the closest thing I can think of to it would be "The End of All Things" by Scalzi.
Which character – as performed by J. G. Hertzler – was your favorite?
The voice-actor's best is perhaps with Senator Bish, getting the tone of voice right. Or perhaps Magda's. Both were complex, tonally.
Any additional comments?
The characters are lovely, most of them unpleasant, but still lovely. By the end I adored one of the characters, and hope to more of him with the author's writing. The prose is a welcoming, slow tide that sweeps you along on a pleasant river. The setting is enjoyable, although we only get one deep look at the rich culture of Barsk, at the race of fonts, despite the galaxy being filled with so many races. That's alright, as the plot is so heavily tied in with fonts, their culture, history and the resource on their planet. The fact every race seems to be prejudiced against the font strained my suspension of disbelief, but it comes up in the end that there's a real and legitimate reason for this that satisfied me.
Honestly I can't find anything negative to say about this book, beyond that I don't have more of it already.
10 of 11 people found this review helpful