Among Others

  • by Jo Walton
  • Narrated by Katherine Kellgren
  • 10 hrs and 39 mins
  • Unabridged Audiobook

Publisher's Summary

Startling, unusual, and yet irresistably readable, Among Others is at once the compelling story of a young woman struggling to escape a troubled childhood, a brilliant diary of first encounters with the great novels of modern fantasy and SF, and a spellbinding tale of escape from ancient enchantment.
Raised by a half-mad mother who dabbled in magic, Morwenna Phelps found refuge in two worlds. As a child growing up in Wales, she played among the spirits who made their homes in industrial ruins. But her mind found freedom and promise in the science-fiction novels that were her closest companions. Then her mother tried to bend the spirits to dark ends, and Mori was forced to confront her in a magical battle that left her crippled - and her twin sister dead.
Fleeing to her father, whom she barely knew, Mori was sent to boarding school in England - a place all but devoid of true magic. There, outcast and alone, she tempted fate by doing magic herself, in an attempt to find a circle of like-minded friends. But her magic also drew the attention of her mother, bringing about a reckoning that could no longer be put off.
Combining elements of autobiography with flights of imagination in the manner of novels like Jonathan Lethem's The Fortress of Solitude, this is potentially a breakout book for an author whose genius has already been hailed by peers like Kelly Link, Sarah Weinman, and Ursula K. Le Guin.

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What the Critics Say



Hugo Award, Best Novel, 2012
Nebula Award, Best Novel, 2011
“Walton succeeds admirably. Her novel is a wonder and a joy.” (The New York Times)
"Katherine Kellgren’s Welsh accent, with its lyrical cadences, suggests that audio may be the most authentic way to experience this 2011 winner of the Nebula Award." (Audiofile)

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Customer Reviews

Most Helpful

Subtle Character Piece

I loved this from start to end. Essentially a coming-of-age story, its diary format does not lend itself to strong plot points, and my major criticism is that the denoument is rather rushed at the end. But you can't help falling for Mori, especially for me, as she is such a SF/Fantasy nut and *devours* books.

But I adored Katherine Kellgren's performance, and was amazed to find out she's from the US. The "singsong" accent, with its "changes of inflection" was, to me being a Celt, a really great Welsh accent, along with good Southern English and west-country accents. Well done Katherine! Yes, it may be a little difficult to get used to, but on the eastern side of the pond it works really well.

Give it a go. It's a simple character piece that will make you smile.
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- Eoin

Critically overrated; bonus points for nostalgia.

I picked this up when it got a Hugo nomination, and went into it pretty excited. The results are fairly mediocre.

This is a book where nothing much happens in the sense that the plot ark is more of a modest bump. This isn't automatically a bad thing in a book because a great character driven story can still provide a fantastic read, but that doesn't happen here, The characters are mildly interesting but never really compelling. What's worse is that some of the more interesting plot threads are simply abandoned by the end without ever being resolved in an ending that is both predictable and rushed.

So why the Hugo nomination? That's easy: nostalgia. Mori, our protagonist, finds direction and solace in science fiction and reads incessantly offering a whose-who of pre-80s name and title dropping and an accompanying analysis of SF writers and stories of the era. I think many critics are willing to overlook a mediocre story because of the nostalgia and fondness they feel at listening to Mori discuss her relentless reading list. While these certainly provide the most interesting parts of the novel for a big SF fan like myself, it's not enough to carry the entire story. This was a great premise suffering from mediocre execution, and in the end fondness for listening to other people talk about classical science fiction shouldn't be enough to make us ignore the mundane story in which that discussion is embedded in.

This is a perfectly acceptable story but not a remarkable one, and it certainly did not deserve a Hugo nomination. It will be most interesting to those who have read a lot of classic pre-1980 science fiction, and far less interesting to anyone without such a reading background.
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- Jeffrey

Book Details

  • Release Date: 08-05-2011
  • Publisher: Audible Studios