Regular price: $13.99
Buy Now with 1 Credit
Buy Now for $13.99
This book was just what I needed to get my out of a recent listening rut. I had been pouring through longer literary fiction type stuff that was really heady and then I started this on a whim and it was a sheer delight.
The world-building is immaculate, the plot is solid and well-paced, but most importantly MURDERBOT. S/HE is the man. I'm assuming he's a man because of the narrator's voice, but I think he's just an asexual SEC Unit that is supposed to be a killing machine but just wants to watch movies.
So relateable. And I just really love how Martha Wells crafts the environment kind of secondarily, you don't even notice that she is describing and explaining details about the world because it all takes a back seat to Murderbot's sardonic, sarcastic observations.
I had only two issues with this story.
1. It is too short
2. The ending is abrupt! It could have been flushed out a lot more, but just kind of cut off.
Now I'm left hoping for a sequel, hopefully one that has a little more meat, because this stuff is delicious.
3 of 3 people found this review helpful
All Systems Red is the first Murderbot Diary, the adventures of a cyborg security unit who hacked its governor module, named itself “Murderbot” and promptly got addicted to streaming media.
This is its account of its adventures trying to keep a group of human scientists alive on a hostile and unknown world without them figuring out it has free will and leaving itself enough time to watch its soaps. The novella is sharp and witty, with a wry sense of humor and a sharp eye for what makes someone sentient and how freedom doesn’t always mean the same thing to different beings.
Kevin R Free as the narrator does a decent job, but somehow seems to miss the point of Murderbot. Murderbot sounds like a human in its own head, it’s a cyborg, it only pretends to be a robot for the humans. Free has it acting robotic all the time and I thought that made the wry humor a little harder to enjoy. Still it’s a great story with well-rounded characters and I recommend the print and audible versions highly.
3 of 3 people found this review helpful
A fast-paced shoot up, who done it, with no philosophical ramifications unless you have been living under a rock for the past fifty years.
Fun fast read that will not stay in the long-term memory circuitry.
1 of 1 people found this review helpful
I started this expecting a fun listen with a silly plot, well it's fun alright but the plot was so much better than I expected. Murderbot has hacked it's controls and finds itself stranded on a remote planet with terrible things happening all around it and now to top it all off, the latest group of humans it has been assigned to guard, actually want to interact with it. People throw big names around like custard pies sticking to a wall when they are trying to explain (or sell) books like this and they often have very little to do with the actual author or story beyond the genre it's in. Since they've really overdone it with this one I will say that in my opinion the story is most like something I would expect from John Scalzi (the less crude stories like The Dispatcher and Old Man's War - note this is not a judgment, I love most of Scalzi's books, this is for comparison only) with a touch of Ann Leckie. I'm not going to tell you much about the actual story beyond this because I don't see any point in spoiling the plot. 5* story, will be listening to again and can't wait for the next.
Narration is harder to mark. My problem is that I love this narrator's work. I listen to a lot of different stuff and he does one of my favorite series the Holmes and Moriarity books by Josh Lanyon (fun and sarcastic murder mystery/romance, between two men, one of whom has been a previously top selling writer of a long running series/sometimes amateur detective and the other of whom is an ex cop/ current incredibly successful author who thinks things should be left with the police. The point being that Kevin R. Free is very good at over the top and funny, while still managing to make the best of a great plot, so I was surprised that his performance here was a little flat in comparison, particularly when voicing Murderbots' thoughts as opposed to voice (perhaps the editor directed him to do it that way). The narrator has a beautiful voice in my opinion and while it's not immediately apparent he can soften his tone enough for a real range of emotion to come through. This also helps with managing to do distinct voices for the main characters without putting on silly characters for the women, which I always appreciate. 3 1/2* but going up to 4 nearer the end. I hope they keep him for subsequent stories where he can really come into his own.