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Publisher's Summary

Winner, 2017 APA Audie Awards - Excellence in Production
As a child, Chris Hooper dreamed of monsters. But in deep space, he found only darkness and isolation. Then, on planet LV178, he and his fellow miners discovered a storm-scoured, sand-blasted hell - and trimonite, the hardest material known to man.
When a shuttle crashes into the mining ship Marion, the miners learn that there was more than trimonite deep in the caverns. There was evil, hibernating and waiting for suitable prey. Hoop and his associates uncover a nest of Xenomorphs, and hell takes on a new meaning. Quickly they discover that their only hope lies with the unlikeliest of saviors....
Ellen Ripley, the last human survivor of the salvage ship Nostromo.
©2016 20th Century Fox (P)2016 Audible, Ltd.
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Critic Reviews

"[Narrator] Laurel Lefkow shines as Ripley - her mature, sarcastic tone barely concealing her raw terror at reliving a nightmare. The mix of music, sound effects, and vocals is painstakingly orchestrated - from the creaks of the ship to the subtle shifts in atmospheric tone as the characters enter different situations. Add in a diverse ensemble of voices, and this production succeeds in keeping the listener in the center of the action." ( AudioFile magazine)
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Customer Reviews

Most Helpful
5 out of 5 stars
By AudioBook Reviewer on 05-02-16

a work that I highly recommend

In 2014, Titan Books released the first in a new series of books set in the Alien film franchise under the supervision of the movie studio 20th Century Fox. These novels are considered part of the film canon and help expand and flesh out the movie universe, and they launched with Tim Lebbon’s Alien: Out of the Shadows, set between the first two movies and featuring the series’ heroine, Lt. Ellen Ripley.

Following the destruction of the Nostromo in the first Alien movie, Ripley put herself into hypersleep and drifted through space. Movie buffs know that 57 years passed between Alien and Aliens, but Lebbon has crafted a nicely fitting story that slots itself directly into the middle of this time gap. In Out of the Shadows, the damaged mining vessel Marion picks up a distress call from Ripley’s lifeboat, while the crew contends with the discovery of a vicious life-form on the planet LV-178. It’s not long before Ripley is pressed back into action, haunted by the events aboard the Nostromo, and hellbent on saving the crew of the Marion.

Rather than taking Lebbon’s novel and producing a straight-up audiobook, Audible Studios and director Dirk Maggs have turned Out of the Shadows into a brilliant audio drama, crafting a production that may well be the best Alien production since James Cameron’s own Aliens. Using an ensemble cast of voice actors, including actor Rutger Hauer in his first audio performance as the now-disembodied ghost in the machine of the android Ash, and an array of sound effects and musical score, the production quality on display here is downright phenomenal.

Actor Corey Johnson brings to life Chief Engineering Hooper, while Laurel Lefkow voices Ripley. The chemistry between these two is terrific and you get a great sense of camaraderie as they form a fast friendship under the threat of the alien menace. Lefkow in particular wowed the heck out of me, and a few times I could have positively sworn that Maggs had gotten Sigourney Weaver to reprise her role. Lefkow absolutely nails the tone, inflection, and speech patterns of Weaver’s Ellen Ripley and it’s mighty damn impressive to listen to.

Rounding out the voice talent is the full-fledged sonic experience of the work itself. From the familiar not-quite dot matrix noises of the computers as they display text, to the ferocious grunts, hisses, and screams of the aliens, and the attendant instrumental score, Out of the Shadows is a frighteningly immersive experience, and one that is very audibly an Alien story. Dirk Maggs has been credited with turning the audio drama into an audio movie for his BBC productions, and that particular knack is on full display here. Lebbon’s prose work has been stripped away, although the story and dialogue, with a bit of finessing for this dramatization, remain intact and is lovingly crafted in a highly cinematic experience for the mind. With the accompanying audio you can really let your imagination run wild and set the scene in your mind’s eye on this one. This is as much an audio movie as it as a movie of the mind, and it’s scarily effective. Be sure to listen to this one with a good set of headphones to fully appreciate the layers and depth that went into constructing this audio drama, but be careful not to fall off the edge of your seat.

Some may argue that by placing this story between the first two Alien films that it’s not an entirely necessary work. To this, and with a shoulder shrug, I can only say, “meh.” I, for one, don’t care a whit about this works “necessity” because it’s just too damn good to ignore. This is a fun listening experience, and one of the best Alien productions we’ve gotten in a long, long while. It’s great to see, or rather, hear, Ellen Ripley back in action and kicking butt on land and in space.

If I have to post one complaint, it’s that the inclusion of Ash serves mostly as story recaps. While Hauer is a great choice to voice this iconic character, a lot of the information Ash relays, in the form of status update reports to the Weyland-Yutani corporation, is redundant to the unfolding plot, and given the frequency at which this is done over the course of the production’s 4 hours and 28 minutes it often times feel highly repetitive. If you’re spreading this listen out over multiple days or longer, these updates may serve as helpful story recaps, but if you’re digesting the story in large chunks they ultimately add little. Like a television show’s “previously on” segment, these recaps don’t eat up a lot of time, so this is ultimately a very minor complaint in the grander scheme of things.

As they did with last year’s adaptation of Joe Hill’s Locke & Key, Audible Studios has delivered a knock-out win of an audio drama – and for a work set in one of my favorite film series, no less! I had read and enjoyed Lebbon’s novel of this work when it came out a few years ago, but I absolutely loved listening to this adaptation. Dirk Maggs and his cast and crew have created a very special production for Alien fans with this dramatization, released on Alien Day (4-26, as in LV-426), and it’s a work that I highly recommend. Now go give it a listen!

Audiobook was provided for review by the Publisher.

Please find this complete review and many others at my review blog

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202 of 222 people found this review helpful

5 out of 5 stars
By Martin on 05-17-16


This has to be the best dramatization on Audible.
The tone of the entire book makes you feel claustrophobic & on edge.
The core cast of characters are likeable and have just enough backstory and personality that; when one meets a grisly end you actually feel bad for them.
The production is spot on, extremely well directed and coordinated. The pace is well kept, characters talking to themselves or explaining to others in place of narration with out getting bogged down.
The actors were all extremely fun to listen to.

Over all I give this a 10/10 rating, we need more audio drama's like this one.

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97 of 108 people found this review helpful

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Customer Reviews

Most Helpful
5 out of 5 stars
By Chris on 04-27-16


if I had to pick one criticism about this audio drama. it's that it's not longer!

the performance by all the cast in this is fantastic! Laurel Lefkow, the voice of Ripley, really sells it. a number of times I was convinced this was Sigourney Weaver herself speaking!

it's just fantastic! I wish it was longer!

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45 of 46 people found this review helpful

5 out of 5 stars
By Simon on 04-26-16

Supercharged Alien Creepiness!

Deliciously creepy tension and fast paced action, this was a blast! From the opening scenes through to the end this smashes through the storyline at a remarkable rate. The high quality cast and excellent production values make this an absolute joy to listen to. Eerie and solid sound effects genuinely do add to the unfolding drama, even the cat gets some lines!

Some will find problems with the fact that this deviates from the known Alien story that went before it but I think this does a good enough job to bend things the amount it does and indeed it does just bend things rather than break them. It’s a fine audio drama and while probably nothing could quite match the tension of the films this does a great job of evoking similar feelings of dread and panic. There are some clever story telling techniques including the “software interloper” whose identity I will not reveal as I don’t do spoilers!

In all this is a fine drama, if I have a complaint it’s that it simply wasn’t long enough!! I am sure I could have listened to this kind of action for several more hours! And I am delighted that after my previous experience with Audible Studios which was the awful Starling Project this is the best one that I have heard from them yet. The investment in the production values and the high quality cast has more than paid dividends!


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44 of 50 people found this review helpful

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Customer Reviews

Most Helpful
5 out of 5 stars
By Mathew on 04-27-16


Is like listening to a movie, very high quality. Listened to this over one sitting.

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6 of 6 people found this review helpful

5 out of 5 stars
By Grae Anderson on 11-27-16


A brilliant audio adaption with voices actors that provide a sound of authenticity. A wonderful intermediary story that sits firmly between the Alien and Aliens stories known to us previously. Would love to see another story of this calibre adapted to the audio realm.

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3 of 3 people found this review helpful

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