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In 2014, Titan Books released the first in a new series of books set in the Alien film franchise under the supervision of the movie studio 20th Century Fox. These novels are considered part of the film canon and help expand and flesh out the movie universe, and they launched with Tim Lebbon’s Alien: Out of the Shadows, set between the first two movies and featuring the series’ heroine, Lt. Ellen Ripley.
Following the destruction of the Nostromo in the first Alien movie, Ripley put herself into hypersleep and drifted through space. Movie buffs know that 57 years passed between Alien and Aliens, but Lebbon has crafted a nicely fitting story that slots itself directly into the middle of this time gap. In Out of the Shadows, the damaged mining vessel Marion picks up a distress call from Ripley’s lifeboat, while the crew contends with the discovery of a vicious life-form on the planet LV-178. It’s not long before Ripley is pressed back into action, haunted by the events aboard the Nostromo, and hellbent on saving the crew of the Marion.
Rather than taking Lebbon’s novel and producing a straight-up audiobook, Audible Studios and director Dirk Maggs have turned Out of the Shadows into a brilliant audio drama, crafting a production that may well be the best Alien production since James Cameron’s own Aliens. Using an ensemble cast of voice actors, including actor Rutger Hauer in his first audio performance as the now-disembodied ghost in the machine of the android Ash, and an array of sound effects and musical score, the production quality on display here is downright phenomenal.
Actor Corey Johnson brings to life Chief Engineering Hooper, while Laurel Lefkow voices Ripley. The chemistry between these two is terrific and you get a great sense of camaraderie as they form a fast friendship under the threat of the alien menace. Lefkow in particular wowed the heck out of me, and a few times I could have positively sworn that Maggs had gotten Sigourney Weaver to reprise her role. Lefkow absolutely nails the tone, inflection, and speech patterns of Weaver’s Ellen Ripley and it’s mighty damn impressive to listen to.
Rounding out the voice talent is the full-fledged sonic experience of the work itself. From the familiar not-quite dot matrix noises of the computers as they display text, to the ferocious grunts, hisses, and screams of the aliens, and the attendant instrumental score, Out of the Shadows is a frighteningly immersive experience, and one that is very audibly an Alien story. Dirk Maggs has been credited with turning the audio drama into an audio movie for his BBC productions, and that particular knack is on full display here. Lebbon’s prose work has been stripped away, although the story and dialogue, with a bit of finessing for this dramatization, remain intact and is lovingly crafted in a highly cinematic experience for the mind. With the accompanying audio you can really let your imagination run wild and set the scene in your mind’s eye on this one. This is as much an audio movie as it as a movie of the mind, and it’s scarily effective. Be sure to listen to this one with a good set of headphones to fully appreciate the layers and depth that went into constructing this audio drama, but be careful not to fall off the edge of your seat.
Some may argue that by placing this story between the first two Alien films that it’s not an entirely necessary work. To this, and with a shoulder shrug, I can only say, “meh.” I, for one, don’t care a whit about this works “necessity” because it’s just too damn good to ignore. This is a fun listening experience, and one of the best Alien productions we’ve gotten in a long, long while. It’s great to see, or rather, hear, Ellen Ripley back in action and kicking butt on land and in space.
If I have to post one complaint, it’s that the inclusion of Ash serves mostly as story recaps. While Hauer is a great choice to voice this iconic character, a lot of the information Ash relays, in the form of status update reports to the Weyland-Yutani corporation, is redundant to the unfolding plot, and given the frequency at which this is done over the course of the production’s 4 hours and 28 minutes it often times feel highly repetitive. If you’re spreading this listen out over multiple days or longer, these updates may serve as helpful story recaps, but if you’re digesting the story in large chunks they ultimately add little. Like a television show’s “previously on” segment, these recaps don’t eat up a lot of time, so this is ultimately a very minor complaint in the grander scheme of things.
As they did with last year’s adaptation of Joe Hill’s Locke & Key, Audible Studios has delivered a knock-out win of an audio drama – and for a work set in one of my favorite film series, no less! I had read and enjoyed Lebbon’s novel of this work when it came out a few years ago, but I absolutely loved listening to this adaptation. Dirk Maggs and his cast and crew have created a very special production for Alien fans with this dramatization, released on Alien Day (4-26, as in LV-426), and it’s a work that I highly recommend. Now go give it a listen!
Audiobook was provided for review by the Publisher.
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183 of 202 people found this review helpful
This has to be the best dramatization on Audible.
The tone of the entire book makes you feel claustrophobic & on edge.
The core cast of characters are likeable and have just enough backstory and personality that; when one meets a grisly end you actually feel bad for them.
The production is spot on, extremely well directed and coordinated. The pace is well kept, characters talking to themselves or explaining to others in place of narration with out getting bogged down.
The actors were all extremely fun to listen to.
Over all I give this a 10/10 rating, we need more audio drama's like this one.
89 of 99 people found this review helpful
if I had to pick one criticism about this audio drama. it's that it's not longer!
the performance by all the cast in this is fantastic! Laurel Lefkow, the voice of Ripley, really sells it. a number of times I was convinced this was Sigourney Weaver herself speaking!
it's just fantastic! I wish it was longer!
36 of 37 people found this review helpful
So this was my first audible, i was initially expecting and audio book but very happy with this performance audio.
At first I was apprehensive, the start didn't grab me, perhaps it was a little to close to the original books/movie for my liking. As it turns out (without giving it away) it all seemed it fit quite nicely with the series.
I seemed to have filled all my spare time (and also time I should have been working) listening to this, so that's a good sign!
It's gripping, tense, the characters are very likeable and real!
If your into the alien series (or like myself your not really) then it's worth a listen. If your into the space or the sci-fi again it's worth a listen
10 of 11 people found this review helpful
Is like listening to a movie, very high quality. Listened to this over one sitting.
4 of 4 people found this review helpful
A brilliant audio adaption with voices actors that provide a sound of authenticity. A wonderful intermediary story that sits firmly between the Alien and Aliens stories known to us previously. Would love to see another story of this calibre adapted to the audio realm.
2 of 2 people found this review helpful