It has been 40 years since the publication of this classic science-fiction novel that changed the way we look at the stars and ourselves. From the savannas of Africa at the dawn of mankind to the rings of Saturn as man adventures to the outer rim of our solar system, 2001: A Space Odyssey is a journey unlike any other.This allegory about humanity's exploration of the universe, and the universe's reaction to humanity, was the basis for director Stanley Kubrick's immortal film, and lives on as a hallmark achievement in storytelling.
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While the movie left me confused and wanting an explanation of what I'd just spent hours watching. The book made me exited to listen to the next in the series.
I, by chance, saw the movie before deciding to pick this up. To me the movie just slowly moved through the paces of, mysterious mission to Jupiter, crazy computer, triumph, crazy drug trip. The ending killed it for me because it made zero sense.
The book fills in the gaps to explain the imagery of the movie and so very much more, the story is well explained and engrossing, so long as you let the imagery take you and are not impatient with the time devoted to detail.
“The thing’s hollow — it goes on forever — and — oh my God — it’s full of stars!”
2001: A Space Odyssey is the novel that Arthur C. Clarke wrote so that Stanley Kubrick could develop it into the now-famous movie. It’s partly based on two of Clarke’s short stories: “Encounter in the Dawn” (1953) and “The Sentinel” (1948). The first story tells of a technologically advanced race that visited Earth millions of years ago, discovered early humans, and gave them some technological jumpstarts (and “one small step toward humanity.”) In the second story, humans have finally reached the moon. Much to their excitement and consternation, they discover an ancient alien artifact that may be an alarm to alert aliens when humans manage to get themselves off their little planet.
If you’ve seen the movie, you know that we see these plotlines unfold and connect in 2001: A Space Odyssey. A related plot involves a spaceship traveling to Saturn that’s controlled by a new self-conscious computer named HAL 9000. Perhaps the most famous scenes in the movie (and I think these are some of the best scenes in the book, too) occur when HAL decides to override the astronauts’ commands because of his own interpretation of his original instructions (this reason is not explained in the movie). These scenes are probably even more frightening today than they were back in 1968. Clarke perfectly captures our fear that the artificial intelligences we create may become smarter than we are and, therefore, out of our control.
I can’t resist Arthur C. Clarke’s visions and I have enjoyed everything I’ve read by him. It’s exciting and awe-inspiring to read his speculations about creation, the mysteries of space and time, extraterrestrials, artificial intelligence, the freeing of the spirit from the body, the existence and nature of God, and what’s “behind the back of space.” I also enjoy his theoretical arguments about the speed of light, physics, relativity, wormholes, etc. Clarke’s awe of space and his expectation that humans will conquer it is infectious and thrilling. At the same time, the possibility that we, who thought we were alone, may not be, is both exciting and disturbing. Clarke writes beautifully of both the potential glories and horrors of space.
I listened to Dick Hill narrate Brilliance Audio’s version of 2001: A Space Odyssey. Dick Hill narrates a lot of old science fiction and here he is as wonderful as he always is. His voice for HAL was so creepy it gave me chills (“Hey, Dave… what are you doing?”). The audiobook begins with an interesting talk by Arthur C. Clarke in which he gives us some context and background for the story, talks a bit about his writing process and collaboration with Stanley Kubrick, and mentions some of the pop culture that the book and movie have spawned. Three sequels to 2001: A Space Odyssey continue the story and address some of the questions that Clarke leaves us with.