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Twenty-seven-year-old Daisy already beat breast cancer three years ago. How can this be happening to her again?
On the eve of what was supposed to be a triumphant "Cancerversary" with her husband Jack to celebrate three years of being cancer-free, Daisy suffers a devastating blow: Her doctor tells her that the cancer is back, but this time it's an aggressive stage four diagnosis. She may have as few as four months left to live. Death is a frightening prospect - but not because she's afraid for herself. She's terrified of what will happen to her brilliant but otherwise charmingly helpless husband when she's no longer there to take care of him. It's this fear that keeps her up at night, until she stumbles on the solution: she has to find him another wife.
With a singular determination, Daisy scouts local parks and coffee shops and online dating sites looking for Jack's perfect match. But the further she gets on her quest, the more she questions the sanity of her plan. As the thought of her husband with another woman becomes all too real, Daisy's forced to decide what's more important in the short amount of time she has left: her husband's happiness - or her own?
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By Lulu on 02-03-15
Lots of Problems
This is the story of a young woman who discovers the cancer she previously defeated has come back with a vengeance and now she has "lots of cancer." I know this sounds strange but to me, that phrase "lots of cancer" which the author uses frequently is the most original and inventive thing in the book.
Rather than a story about a young woman and her husband who discover their marriage is about to end along with her life and how they handle that knowledge, the tragedy is used as a hook to lure the reader into yet another book about a troubled relationship that would quickly be fixed if only the characters would start talking to each other instead of to themselves. This is no different than so many of the contemporary chick lit or romance novels. The impending death of one half of the couple is nothing but a gimmick, not the driving force moving the plot along.
I expect a a young woman facing her own mortality in the very near future would naturally be introspective. Introspective about her upcoming demise, how she feels about death, her fears about the process, how her beliefs and her faith or lack thereof affect the process, her concerns for her loved ones, etc. But there is very little of this. I admit I skipped through some of the numerous soliloquies she engaged in ad nauseam, but there seemed to be very little thought given to the actual act of her dying and death.
The main character in this book spends her time obsessing about her relationship. Not the upcoming end to it, but whether this spouse who has already gone through so much with her really loves her or if he has already crossed her off and moved on. The male character is fairly well written and it seems obvious that he cares for his wife, at least obvious to everyone but her. She comes across as an 8th grader with her first boyfriend. A boyfriend she has so little faith in she is certain he cannot survive without her constant guidance.
I liked the narrators. However, the female narrator already has something of a sing-songey voice and the author substitutes dialog for internal prose so often that the narrators lyrical voice just made the character more affected and less real.
I admit i picked this book up hoping it would expand on the dialog that accompanied the recent death of Brittany Maynard. This seemed like a timely subject. And a subject that is sometimes easier to digest in fiction. But instead of a discussion regarding death and the choices faced by a young woman and a young married couple now facing that subject, we got a chick-lit romance in disguise with all of the angst of the worst of that genre and none of the depth of the best of that genre.
I will say that the end of the book, written after her death begins to address the subject I expected to be addressed throughout the book.
I cannot recommend this book.
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