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I recently heard of Tina Beattie via her tension with the Vatican that I saw written about on a blog somewhere.
And personally, I always really enjoy reading different authors that the Vatican wants to censure, and as a believing Catholic, I'm always looking for good Catholic literature to read, and often looking up what Feminist literature the admins are trying to stamp out usually provides for great, great and deep and insightful reading that often brings me closer to God.
And that's what this book did. Really, this book was a total surprise. I had no idea that there was an audible edition, and as soon as I saw it I bought it and read it in a couple days.
There is much, much more here than a treatment of The New Atheists and Tina Beattie's thoughts on that camp. If you want to sum this up in a few logical-esque sentences, this is more of an indictment of fundamentalism and it's use in corrupting both science and religion.
Tina Beattie exposes some of science's triumphs over religion and religion's triumphs over science, and maybe even saying that is missing the point a bit,
Because the goal of this book is to show that science must not seek to eradicate religion and religion must not seek to eradicate science.
She also spends some time arguing against the use of rhetoric and arguments in the dialogue between science and religion and suggests instead that art is a much better space for our mutual worlds to dialogue in.
And the narrator does a very, very good job. She made the book read well and I think did a very good and clear job.
This book was an absolute joy to read.
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of the obvious problem with the "New Atheists," led by their messiah (one has to love the irony in the book's cover) Richard Dawkins, namely, that their entire approach is based on two false assumptions: 1) all theists are radical, fundamentalist, literalist nutjobs, and 2) science and theology are naturally, diametrically opposed to one another. She also makes the very obvious point that the spurious battle waged by the not so fab four Huxley wannabes (Dawkins, Dennett, Harris and the dearly departed Hitchins--and one might throw in the late coming Lawrence Krasse as the fifth Beatle, I suppose): it's much more political than scientific. Beattie cuts through the cosmic bologna here and shows that science and religion are not the mortal enemies Dawkins and company pretend in order to force their agenda.
1 of 5 people found this review helpful