A provocative history of the role of silence in Christianity by the award-winning, New York Times bestselling author. In this essential work of religious history, the New York Times best-selling author of Christianity explores the vital role of silence in the Christian story. How should one speak to God? Are our prayers more likely to be heard if we offer them quietly at home or loudly in church? How can we really know if God is listening? From the earliest days, Christians have struggled with these questions. Their varied answers have defined the boundaries of Christian faith and established the language of our most intimate appeals for guidance or forgiveness. MacCulloch shows how Jesus chose to emphasize silence as an essential part of his message and how silence shaped the great medieval monastic communities of Europe. He also examines the darker forms of religious silence, from the church's embrace of slavery and its muted reaction to the Holocaust to the cover-up by Catholic authorities of devastating sexual scandals.
A groundbreaking work that will change our understanding of the most fundamental wish to be heard by God, Silence gives voice to the greatest mysteries of faith.
"A stimulating and sweeping overview…MacCulloch persuasively shows how the Church has constructed and reconstructed silence in ways that many Christian thinkers would neither have expected nor embraced." (Publishers Weekly)
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Monstic Silence Too Silent in Silence
As with all D.MacCulloch's work, it is thorough, well-written and scholarly.
The revelation that Silence and silent prayer caused some schism in the early Christian church was new to me, and of great historic interest. Alternately, the least interesting feature of the book turned out to be it's greater bulk in the form of the many, many descriptions and reasons for 'dark silence': the Christian church(es) remaining mum on their own and others' ill-doings.
Dixon is, with Grover Gardner, one of the best Narrators in the business. His command of language, crisp & clean pronunciation, and his ability to subtly reveal the humor in a work make him one of my two favorites.(Gardner being the other).
I had no extreme reaction beyond the wish for more emphasis on my specialist interest which I mention below.
I had been hoping for more emphasis on Monastic Silence and Mystical Silence, rather than the many larger elucidations of the 'silence' around the treatment of Women, Child Abuse, Homosexuality and Holocaust.Commentary on Monastic Silence is all too short.
Interesting, but not cohesive
- Adam Shields