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Publisher's Summary

We live in a culture of casual certitude. This has always been the case, no matter how often that certainty has failed. Though no generation believes there's nothing left to learn, every generation unconsciously assumes that what has already been defined and accepted is (probably) pretty close to how reality will be viewed in perpetuity. And then, of course, time passes. Ideas shift. Opinions invert. What once seemed reasonable eventually becomes absurd, replaced by modern perspectives that feel even more irrefutable and secure - until, of course, they don't.
But What If We're Wrong? visualizes the contemporary world as it will appear to those who'll perceive it as the distant past. Chuck Klosterman asks questions that are profound in their simplicity: How certain are we about our understanding of gravity? How certain are we about our understanding of time? What will be the defining memory of rock music 500 years from today? How seriously should we view the content of our dreams? How seriously should we view the content of television? Are all sports destined for extinction? Is it possible that the greatest artist of our era is currently unknown (or - weirder still - widely known but entirely disrespected)? Is it possible that we overrate democracy? And, perhaps most disturbing, is it possible that we've reached the end of knowledge?
Kinetically slingshotting through a broad spectrum of objective and subjective problems, But What If We're Wrong? is built on interviews with a variety of creative thinkers - George Saunders, David Byrne, Jonathan Lethem, Kathryn Schulz, Neil deGrasse Tyson, Brian Greene, Junot Díaz, Amanda Petrusich, Ryan Adams, Nick Bostrom, Dan Carlin, and Richard Linklater, among others - interwoven with the type of high-wire humor and nontraditional analysis only Klosterman would dare to attempt. It's a seemingly impossible achievement: a book about the things we cannot know, explained as if we did. It's about how we live now, once "now" has become "then".
©2016 Chuck Klosterman (P)2016 Penguin Audio
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Customer Reviews

Most Helpful

By Norris Family on 06-13-16

Another bad review for the narrator

Any additional comments?

I will read this book again. I may even try to listen to it again. But there is no debating the degree to which the performance takes away from this audio book. It's not so much that Fiona Hardingham (somewhat comically) mispronounces words like Akron, its that she rarely delivers Klosterman's thoughts with the proper cadence. She constantly ruins his jokes and worse, she often makes his complex ideas very difficult to process. When Klosterman takes over the narration for the final minutes it is such a (short lived) relief.

The narration compounds the problems of the book. Unlike most of Klosterman's non-nonfiction this is not a book of essays. It would be fair categorize the book as philosophy although at times it comes closer to semiotics. I have no problem with this. These are both subjects I enjoy immensely. Unfortunately the book has a bad habit of raising interesting questions and then drifting away from them without addressing them satisfactorily. Gusty winds may exist.

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20 of 20 people found this review helpful


By Jonathan on 06-29-16

Why isn't Klosterman narrating his own book?

Chuck Klosterman is one of my favorite authors. But that's in large part because of his own very particular point of view. He writes in the first person and relates much of his material to his own life experiences.

So it's just weird and off-putting to hear a British woman essentially pretend she's Chuck Klosterman as the narrator of this book. It's distracting and there's simply no way for me to really get into the material since I'm constantly reminded with the first person form that this is someone reading someone else's work to me.

The book is great and I'll be buying the physical copy to read it properly. Don't bother listening to the audiobook version.

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6 of 6 people found this review helpful

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Customer Reviews

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By Trygve on 02-19-17

Mostly very good

A little too meandering at times, and some of the looong tangents he went on at times felt only mildly connected, at best, to the main point of the book. Other than that, very enjoyable. Klosterman has a fun perspective on some things that's worth the listen, and I don't have anything against Fiona as a narrator

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