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The Alienist
- Narrated by: George Guidall
- Length: 20 hrs
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Publisher's summary
The year is 1896, the place, New York City. On a cold March night New York Times reporter John Schuyler Moore is summoned to the East River by his friend and former Harvard classmate Dr. Laszlo Kreizler, a psychologist, or "alienist." On the unfinished Williamsburg Bridge, they view the horribly mutilated body of an adolescent boy, a prostitute from one of Manhattan's infamous brothels.
The newly appointed police commissioner, Theodore Roosevelt, in a highly unorthodox move, enlists the two men in the murder investigation, counting on the reserved Kreizler's intellect and Moore's knowledge of New York's vast criminal underworld. They are joined by Sara Howard, a brave and determined woman who works as a secretary in the police department. Laboring in secret (for alienists, and the emerging discipline of psychology, are viewed by the public with skepticism at best), the unlikely team embarks on what is a revolutionary effort in criminology-- amassing a psychological profile of the man they're looking for based on the details of his crimes. Their dangerous quest takes them into the tortured past and twisted mind of a murderer who has killed before. and will kill again before the hunt is over.
Fast-paced and gripping, infused with a historian's exactitude, The Alienist conjures up the Gilded Age and its untarnished underside: verminous tenements and opulent mansions, corrupt cops and flamboyant gangsters, shining opera houses and seamy gin mills. Here is a New York during an age when questioning society's belief that all killers are born, not made, could have unexpected and mortal consequences.
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Looking for the perfect audiobook to keep you engrossed and engaged during your next long drive, weekend chores, or a long work day? Look no further than this list of puzzling, mind-bending mysteries that will have you holding on to every word as the narrator pulls you in on the search for clues. We’ve narrowed this wide-spanning genre down to 20 of the best mystery audiobooks we’ve heard so you can get to listening and searching for answers.
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Breathless and painstakingly researched, this is a stunning debut mystery in which Sherlock Holmes unmasks Jack the Ripper. Lyndsay Faye perfectly captures all the color and syntax of Conan Doyle’s distinctive nineteenth-century London.
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Excellent!
- By Wadie on 01-07-11
By: Lyndsay Faye
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The Letter Writer
- A Novel
- By: Dan Fesperman
- Narrated by: David Bendena
- Length: 12 hrs and 41 mins
- Unabridged
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Who exactly is Danziger? He's a writer of letters for illiterate immigrants on Manhattan's Lower East Side - "a steadfast practitioner of concealing and forgetting" for his clients, and perhaps for himself: He hints at a much worldlier past. What and whoever he really is or has been, he has a seemingly boundless knowledge of the city and its denizens. And he knows much more than the mere identity of the floating corpse.
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Mobsters and Cops, NYC, 1942
- By RueRue on 07-22-16
By: Dan Fesperman
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Ask Me No Questions
- A Lady Dunbridge Mystery
- By: Shelley Noble
- Narrated by: Erin Bennett
- Length: 11 hrs and 59 mins
- Unabridged
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A modern woman in 1907, Lady Dunbridge is not about to let a little thing like the death of her husband ruin her social life. She's ready to take the dazzling world of Gilded Age Manhattan by storm. From the decadence of high society balls to the underbelly of Belmont horse racing, romance, murder, and scandals abound. Someone simply must do something. And Lady Dunbridge is happy to oblige.
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A Creative Mystery
- By Victoria J. Mejia-Gewe on 02-28-19
By: Shelley Noble
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Art in the Blood: A Sherlock Holmes Adventure
- By: Bonnie MacBird
- Narrated by: Thomas Judd
- Length: 6 hrs and 29 mins
- Unabridged
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London. A snowy December, 1888. Sherlock Holmes, 34, is languishing and back on cocaine after a disastrous Ripper investigation. Watson can neither comfort nor rouse his friend - until a strangely encoded letter arrives from Paris. Mlle La Victoire, a beautiful French cabaret star, writes that her illegitimate son by an English lord has disappeared, and she has been attacked in the streets of Montmartre.
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Not a bad story, but too 21st century
- By M B Yorton on 11-11-19
By: Bonnie MacBird
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River of Darkness
- By: Rennie Airth
- Narrated by: Christopher Kay
- Length: 13 hrs and 53 mins
- Unabridged
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In 1921, the bloodied bodies of Colonel Fletcher, his wife and two staff are found in a manor house in Surrey. The police have put the murders down to a violent robbery, but Detective Inspector Madden from Scotland Yard has his own suspicions. In the meantime the killer is plotting his second strike.
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New Mystery Written in 1920's Style-What A Thrill!
- By Nancy J on 06-27-12
By: Rennie Airth
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A Gentleman's Murder
- By: Christopher Huang
- Narrated by: Raphael Corkhill
- Length: 11 hrs and 52 mins
- Unabridged
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The year is 1924. Only a few years removed from the trenches of Flanders, Lieutenant Eric Peterkin has just been granted membership in the most prestigious soldiers-only club in London: the Britannia. But when a gentleman's wager ends with a member stabbed to death, the victim's last words echo in the lieutenant's head: that he would "Soon right a great wrong from the past". Eric is certain one of his fellow members is the murderer. But who?
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Ignore the indiscriminate ire. It’s great!
- By Denise Dalrymple on 05-15-20
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The Powder Mage Novella Collection #1
- Stories from the Powder Mage Universe
- By: Brian McClellan
- Narrated by: Julie Hoverson
- Length: 10 hrs and 46 mins
- Unabridged
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Enter a new world or return to see old friends in four Powder Mage Universe novellas featuring Erika, Tamas, Adamat, Taniel, Ka-poel, and Ben Styke.
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Great prequels, horrible narrator
- By Harker on 04-19-17
By: Brian McClellan
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The Great Train Robbery
- By: Michael Crichton
- Narrated by: Michael Kitchen
- Length: 8 hrs and 39 mins
- Unabridged
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In teeming Victorian London, where lavish wealth and appalling poverty live side by side, Edward Pierce charms the most prominent of the well-to-do as he cunningly orchestrates the crime of the century. Who would suspect that a gentleman of breeding could mastermind the daring theft of a fortune in gold? Who could predict the consequences of making the extraordinary robbery aboard the pride of England's industrial era, the mighty steam locomotive?
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An unusual but rewarding listen
- By Matthew on 11-21-15
By: Michael Crichton
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The Shadow Killer
- By: Arnaldur Indridason
- Narrated by: George Guidall
- Length: 8 hrs and 57 mins
- Unabridged
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Overall
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Performance
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Story
Reykjavik, August 1941. When a travelling sales rep is found murdered in a Reykjavik flat, killed by a bullet from a Colt 45, the police initially suspect a member of the Allied occupation force. The British are in the process of handing over to the Americans, and the streets of Reykjavik are crawling with servicemen whose relations with the local women are a major cause for concern. Flovent, Reykjavik's sole detective, is joined by the young military policeman Thorson, the son of Icelandic emigrants to Canada.
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Not as good as previous in this series
- By Sue MB on 07-04-18
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The Bastard
- The Kent Family Chronicles, Book 1
- By: John Jakes
- Narrated by: Marc Vietor
- Length: 19 hrs and 8 mins
- Unabridged
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Performance
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Story
Set against the colorful tumult of events that gave rise to our fledgling nation, this novel of romance and adventure introduces Phillipe Charboneau. The illegitimate son of an English nobleman, Phillipe flees Europe and, as Philip Kent, joins the men who set our course for freedom. The Bastard is the first volume in the Kent Family Chronicles, a series of novels that details one family's journey in the early years of the American nation.
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An Amazing Tale
- By will on 11-06-13
By: John Jakes
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A Knife in the Fog
- A Mystery Featuring Margaret Harkness and Arthur Conan Doyle
- By: Bradley Harper
- Narrated by: Matthew Lloyd Davies
- Length: 8 hrs and 40 mins
- Unabridged
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Overall
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Performance
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Story
September 1888. A 29-year-old Arthur Conan Doyle practices medicine by day and writes at night. His first Sherlock Holmes story has only netted him 25 pounds. Embittered by the experience, he vows never to write another "crime story". Then a messenger arrives with a mysterious summons from former Prime Minister William Gladstone, asking him to come to London immediately. Once there, he is offered one month's employment to assist the Metropolitan Police as a "consultant" in their hunt for the serial killer soon to be known as Jack the Ripper.
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Mixed, because of the horrors described
- By Gail N. on 05-02-19
By: Bradley Harper
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above average historical fiction
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Brilliant Story, Brilliant Narration
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above average historical fiction
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A new breed of evil has come to old New York. The horribly mutilated body of a young male prostitute turns up in the East River in 1896. Reporter John Moore and his mentor Laszlo Kreizler decide to investigate.
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Great listen. Unfortunately it is abridged.
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Best Plot-Driven Novel I've Ever Read
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Mind of a Killer
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ACTUALLY KEPT MY INTEREST THROUGHOUT!
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Even better than the movie. Excellent narration.
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Crime and Punishment (Recorded Books Edition)
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Fyodor Dostoevsky's Crime and Punishment is universally regarded as one of literature's finest achievements, as the great Russian novelist explores the inner workings of a troubled intellectual. Raskolnikov, a nihilistic young man in the midst of a spiritual crisis, makes the fateful decision to murder a cruel pawnbroker, justifying his actions by relying on science and reason, and creating his own morality system. Dehumanized yet sympathetic, exhausted yet hopeful, Raskolnikov represents the best and worst elements of modern intellectualism. The aftermath of his crime and Petrovich's murder investigation result in an utterly compelling, truly unforgettable cat-and-mouse game. This stunning dramatization of Dostoevsky's magnum opus brings the slums of St. Petersburg and the demons of Raskolnikov's tortured mind vividly to life.
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Masterful narration of a masterpiece
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Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor", and they plunge her into a world she never dreamed of - a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.
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Great buildup to nowhere
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What listeners say about The Alienist
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- lyl
- 12-30-12
Outstanding on several levels.
No fluff here! The listener gets real depth in plot, history of the times, application of method of finding out why people do what they do and interesting characters. PLUS, one of the best narrators around today, George Guidall. He is terrific! A born storyteller. He blends so well into the book that you forget he is there. He is part of the story.
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127 people found this helpful
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- Janice
- 10-21-13
"We have to go . . . I'll explain later"
Some previous reviews refer to The Alienist as an historical “Criminal Minds” or “CSI”. I agree, but perhaps for a different reason. It struck me as a TV script in the spirit of those shows, just placed in a different time period. In spite of trying to make the dialogue sound dated, the overall sensibilities were too modern, with stock characters now mandatory in episode TV – the plucky feminist ahead of her time, the faithful manservant wise beyond his station, the precocious kid who proves he can hold his own with the grown-ups in times of danger. Social issues such as race, roles and rights of women and children, and homosexuality are handled with a level of tolerance more reflective of today than over 100 years ago. I also question the availability of forensic knowledge and profiling that would make a modern BAU agent proud.
In good historical fiction the history needs to weave seamlessly through the narrative, and not every fact found in the research process needs to be used. Side notes about everything from opera to fashion, to every course in every meal, and the furnishings and history of every building slows down a narrative that should have moved at a more urgent pace. Long passages on various theories of psychology and criminology (was that even a word in 1896?) slowed us even more – over an hour was spent dissecting each line, word, and penmanship of a letter from the killer, covering many points repetitively. Contrived miscommunications and false assumptions abound. The investigators could be unbelievably astute one minute, then oblivious to clues that had been scattered like Easter eggs in the grass, until the “ah-hah” moment when someone looks up and says “we’ve got to go NOW - no time to explain”. Obviously meant to heighten the tension, it was used so often by all team members that it became frustrating and led inevitably to another detailed review of information we had already covered – we got it already. There were many other "give-me-a-break" moments, but in the spirit of no-spoilers, I'll refrain from further comment.
I wish an editor had taken the book in hand to work out these structural problems, because Carr’s plot and concept (basically a reworking of Holmes-Watson-Lestrade chase The Ripper) is well imagined. Had he trusted his readers, Carr might have eliminated the massive redundancy that only added weight, not depth.
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125 people found this helpful
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- Jim N
- 08-31-14
An Enjoyable Procedural
My expectations may have been too high going into this novel. It's an entertaining book but I found it overly long, bordering on tedious at times, especially because in essence, it's a pulp novel filled with larger-than-life characters. The Alienist takes a bit too much too much time to get where it's going.That said, the historical setting is interesting and Carr practically makes turn-of-the-century New York into an additional character.
George Guidall's reading is superb, one of the best I've ever heard for an audiobook. He brings the characters to life, raises the tension in scenes where it's appropriate and overall, just does a fantastic job.
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102 people found this helpful
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- Karissa Eckert
- 10-11-18
Not for me
This is the first book in the Dr. Laszlo Kreizler series. I listened to the first half (10hrs) of this audiobook on a long car trip. I thought it was fairly boring and kept finding my mind wandering while listening to this. I opted to stop listening to this and move onto something else because I didn’t want to fall asleep while driving.
The audiobook is well done. Guidall does an excellent job with narration, conveying emotion, and keeping character voices straight. This is impressive because there are a lot of characters in this book.
My main issues with this book was that there was just too much hashing and rehashing of psychological theories and lots of unnecessary historical information that doesn't have an impact on the overall story. As our characters again rehashed psychological theories about why the killer would be abusing children, my mind would wander and I would wonder if the story was ever going to make any progress….this could have been a 10 hr audiobook easy but stretching it out was ridiculous.
The subject matter here isn’t pleasant; it involves a lot of gruesome child abuse/killings and a lot of sexual abuse/deviancy as well. Just a heads up for those who don’t like to read that kind of thing...this is definitely an adult book.
Overall I wasn’t a fan of this book, it just wasn’t for me. Despite the gruesome subject matter, the material was strangely boring and it took forever for the story to make any progress. If you enjoy mysteries that delve into a lot of irrelevant historical facts and are interested in killer psychology you might enjoy this. I just found it tedious.
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58 people found this helpful
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- Philip A
- 10-18-16
Misses The Mark
First, the good news: I could listen to George Guidall read the phone book.
The bad news: The phone book would probably make a more interesting audiobook than "The Alienist." This work is seriously hampered by the dryness of it's prose and the dullness of its primary characters. Kreizler is no Sherlock Holmes. Not even close.
None of the dangers the main characters are exposed to in this story seem at all ominous or scary or even worrisome. None of the villains feel threatening and none of the heroes project any sense of heroism whatsoever -
And the book drones on and on, for twenty hours . . . like a history lesson written by a lackluster certified public accountant.
In the end, Guidall tries his best but even he can't save "The Alienist."
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47 people found this helpful
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- John
- 01-09-13
Serial murder mystery back in 1890's New York City
Would you listen to The Alienist again? Why?
Yes
Its a fascinating look at the lifestyle of late 19th Century New York City
From the sights and smells of a culture just beginning to move from being a horse drawn society to the "Toasted Angels" ( bacon wrapped oysters broiled ) of Delmonico's Restaurant, its a glimpse of a time long gone and yet still effects us today
What other book might you compare The Alienist to and why?
I generally read science fiction or military history, but this book is part of my permanent library. It recreates a world with the same depth and development as Frank Herbert's "Dune" or Larry Niven's "The Mote in Gods Eye"
Any additional comments?
If you like historical novels about subjects not normally addressed, you should enjoy this book.
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- Dottie B.
- 09-12-14
Absolutely fabulous!
What a fabulous find. (I actually stumbled across this book by looking for books narrated by George Guidall, and bought it despite the occasional negative review. I was surprised to learn that so many of my friends had already read this book when it came out in the 90s because I hadn't heard of it.)
I have not enjoyed an audiobook so much in many months. It was a riveting listen, and as usual, George Guidall did an excellent job at bringing out the characters and making them feel so real. I was enthralled from beginning to end, and was so relieved to learn that there was a sequel (which I enjoyed almost as much as The Alienist).
I am totally sad this listen is over…I just wish Caleb Carr would write more in this series.
Brilliant, brilliant, brilliant!
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- Carol
- 11-28-14
Good for historical details
John Schuyler Moore, a crime reporter for The New York Times, recalls an investigation he was involved with from 1896 in which he and group of others search for serial killer of young boy prostitutes. The killer mutilates these boys in a horrific fashion, yet because they are prostitutes and because of police corruption, there is a lack of real interest in investigating by the local authorities. Moore joins forces with Laszlo Kreizler, a psychologist and others to make a psychological profile and find the killer .
Caleb Carr does a good job in recalling historical details of New York in the 1890's. Moore narrates the book and he is looking 23 years into the past. Using the limited resources of the time, the main characters painstakingly make a profile the type of person who would commit the killings. Forensic medicine and psychology were in its infancy and fingerprints were not completely believed to be of any importance. Carr does bring to life the historical details with sights and smells of 19th century New York. And this is the best aspect of the book. From filthy dark tenements of the poorer sections of Manhattan to the wonderful upscale multicourse meals of Delmonico's restaurant. We get a taste of the limited role of women and blacks at the time. What he fails to convey in this book is characters with any dimension to them. I really did not fall in love with any of the characters. Especially the character Moore who narrates. Little is known about him except he lives with his disapproving grandmother and writes for the New York Times. Carr gives us some mystery about Laszlo Kreizler's past to try to hold the reader's interest but it is not enough to make Kreizler really stand out and be the exceptional character of the title of the book. Carr seems to skim onto certain flaws in the characters but fails to go into enough depth to make the reader really care enough about them. All the other characters have smaller roles as support. What was really annoying about this book is that often the characters worked in pairs and when one had an epiphany and realized an important clue, they would grab the other character and say "we have to go now" without sharing any information with the other baffled character. Giving the book a made for TV feel. I know this was to add suspense but this gimmick was used too often in the book and got old fast.
And there were times in this book where it got just go bogged down in small, small details and just starts to plod. I mean I liked the profiling and I love historical mysteries but at times I needed it to pick up the pace a bit and move forward.
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- Janet Katz
- 09-13-16
Historical fiction laced with morbid murders
Long, but very well paced story. Plenty of action throughout. The only thing I didn't like about the book is that the crimes in the book are so horrible, or described that way, that it almost gets funny because it is so morbid. If crimes against children make you queasy, you might want to skip this one. Perfect narration!
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- B.J.
- 10-31-13
Historical fiction at its finest
I read this book years ago when it first came out and loved it. When I saw it was available on Audible with George Guidall narrating, I was thrilled. Two of my favorites at one time. How great is that?
First off, let's talk about George. I adore him. He is not just 'the voice' of Walt Longmire in Craig Johnson's series, he IS Walt. So much so, that when I began listening to "The Alienist" I had to keep reminding myself that Walt was not in this book. It took me at least 4 hours of listening before I could get that out of my head. (Victoria Moretti appears, too.)
Now to the book itself... There's no need to rehash the plot - you'll find that everywhere you look. What I find remarkable is how much of New York City in the 1890s comes through in the descriptions. You can feel it, smell it, hear it. You know what it was like to dine at Delmonico's late at night and to walk down dark streets. You get to know the hoodlums and rapscallions. You can feel what it's like to be at the Met. It is totally absorbing. It's true when you read it, but even more obvious when you listen.
This is a splendid book - though dark and gruesome in places - and definitely credit-worthy if you like historical fiction or mysteries.
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