Regular price: $34.99

Membership details Membership details
  • A 30-day trial plus your first audiobook, free.
  • 1 credit/month after trial – good for any book, any price.
  • Easy exchanges – swap any book you don’t love.
  • Keep your audiobooks, even if you cancel.
  • After your trial, Audible is just $14.95/month.
Select or Add a new payment method

Buy Now with 1 Credit

By confirming your purchase, you agree to Audible's Conditions of Use and Amazon's Privacy Notice. Taxes where applicable.

Buy Now for $34.99

Pay using card ending in
By confirming your purchase, you agree to Audible's Conditions of Use and Amazon's Privacy Notice. Taxes where applicable.

Add to Library for $0.00

By confirming your purchase, you agree to Audible's Conditions of Use and Amazon's Privacy Notice. Taxes where applicable.

Publisher's Summary

In the middle of a rainy Swedish summer, a little girl is abducted from a crowded train. Her distraught mother was left behind at the previous station in what seemed to be a coincidence. The train crew was alerted and kept a watchful eye on the sleeping child. But when the train pulled into Stockholm Central Station, the little girl had vanished.
Inspector Alex Recht, assisted by the investigative analyst Fredrika Bergman, are assigned to what at first appears to be a classic custody fight. But when the child is found dead in the far north of Sweden with the word "unwanted" scribbled on her forehead, the case soon turns into the investigation team's worst nightmare - the pursuit of a brilliant and ruthless killer.
©2009 Kristina Ohlsson (P)2013 Dreamscape Media, LLC
Show More Show Less

Critic Reviews

"Superior prose, plotting, and characterization.... readers will look forward to spending more time in the company of the intriguing Bergman." Publishers Weekly)
"Expect Ohlsson to join Nesbo on most readers' can't-miss lists." ( Booklist)
Show More Show Less

Customer Reviews

Most Helpful
1 out of 5 stars
By CK Russlitrocks on 10-22-13

Boring story, bad accents

What disappointed you about Unwanted?

This story dragged on and on... I gave up on the story. Definitely not up to the standards of Scandinavian noir found in Sjowall and Wahloo, Henning Mankell, or Jo Nesbo. The premise was good - but immediately plummeted from there, digressing into repetitive and uninteresting details about characters I didn't care about. . . and the performer was irritating. Why, in a novel set in Sweden, did she feel compelled to give everyone an accent? Mostly, they sounded like cardboard German characters - definitely nothing like Swedes I personally know. The accents were completely unnecessary and quite irritating. Hard to distinguish individual characters.

What was most disappointing about Kristina Ohlsson’s story?

Dull - the author focused on characters who were completely predictable. Much less attention to the mystery. The setting was completely forgettable. The author's name sounds Scandinavian, but I kept wondering if she'd ever visited Sweden, much less live there? There was NO sense of location, which is normally one of the best aspects of Scandinavian noir. The story could have been set in Iowa - and at least that might have eliminated the cardstock accents used by the narrator.

How did the narrator detract from the book?

Gave all the characters bizarre accents, which sounded more like Germans than Swedes, and were completely unnecessary. The story is supposed to be set in Sweden. The "accents" just distracted. Basically had two modes for characters, German gravel voiced, or German not gravel voiced. Every time a character spoke I was irritated.

What reaction did this book spark in you? Anger, sadness, disappointment?

Irritation, disappointment

Read More Hide me

4 of 4 people found this review helpful

3 out of 5 stars
By Lynne F on 10-02-13

Spoiled by the narration

Ohlsson has created an interesting cast of characters in this book - with an interesting, if depressing, storyline. However, the narrator spoiled this for me - she is wonderful with the Swedish accents when reading dialogue, but why she used an affected and pompous (and at times incorrect) English accent to narrate the body of the book is beyond me - maybe it's because I am English myself and am more sensitive to this, but it may have been better if she had stuck to her native Canadian.

Read More Hide me

4 of 4 people found this review helpful

See all Reviews