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Elliott Lawder is an investigative reporter of some popularity, and good at his job, which is why he gets chosen by the FBI to go undercover and operate for them out of the country, apparently to uncover a drug ring, but actually to see if he'll accidentally turn up some evidence relating to an old case that the Bureau is reluctant to let him - or anyone else - in on.
Kate Lambert (our heroine) is an intriguing, if a bit ditsy, protagonist. An orphan living on the streets, she keeps having strange men show up in her life, following and occasionally befriending her, but she doesn't know what is going on. When Elliott starts hanging around and asking questions things begin to get interesting. After an apparent attempt on her life she and Elliott go into hiding until they can figure out why.
Track Three has a good premise, good characters, and fairly strong writing. It suffers, in my opinion, from not one, but two, semi lengthy prologues that seems irrelevant for much of the book (They does eventually get tied in satisfactorily), slow pacing during the first half, and a couple subplots involving Elliott's family and a sort-of-kind-of girlfriend that have little bearing on the story and don't get resolved in the end. The story as a whole is quite good, but a little disconnected and tricky to follow in spots.
There is some language, as well as a couple mild sexual scenes.
The production quality of this audiobook is good, nothing out of the ordinary for Audible. Consistent volume, clear speech, no effects or music.
T. Anthony Quinn is a solid reader. I've listened to him on this project, as well as Hopebreaker by Dean F. Wilson. His voice is a little breathy, and "matter of fact" in tone. He executes military style books rather well, and his voices are distinct if not memorable. He doesn't particularly add or detract from the overall experience in my opinion.
To finish, I liked the book. It was a fun listen, and I'd been willing to read another by Gibson.
Audiobook was provided for review by the author.
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11 of 15 people found this review helpful
Note: In exchange for an unbiased review, the author, publisher, and/or narrator were kind enough to provide an audio version of this book at no charge via AudiobookBoom.
The premise of this story was interesting, and it never really left me with a feeling of boredom or anything like that. Some audiobooks can be so torturous that you either can't wait for it to be over, or you just have to quit listening. This wasn't one of those times, but there were some issues that knocked the rating down a bit for me.
One was the narrator. He wasn't terrible (with regard to acting), but there were numerous times throughout the book that he would slur his lines or say a word incorrectly or sound like he was reading the content for the first time upon recording (almost as if his eyes were jumping ahead to stay abreast of what was going on but his voice hadn't caught up). If it had happened only once or twice I don't think I would have noticed too much. But it occurred frequently to the point of being a distraction.
There were also some points story-wise that bothered me. Like how certain things were conveniently figured out in a way that stretched reality a bit too much (such as with the tattoo). And the unfinished feel to other parts (like the brother/mother - what was up with that?).
Overall, though, the story was pretty good. Like I said, I wasn't bored to tears or anything, but some things felt like they needed to be fleshed out more or polished up better. Another listener may have a completely different experience - that's the way it goes sometimes.