The number-one internationally best-selling thriller and ingenious audiobook within an audiobook, about the disappearance of a 15-year-old New Hampshire girl and, 30 years later, a young American writer's determination to clear his mentor's name - and find the inspiration for his next best seller.
August 30, 1975: The day 15-year-old Nola Kellergan is glimpsed fleeing through the woods before she disappears; the day Somerset, New Hampshire, lost its innocence.
Thirty-three years later, Marcus Goldman, a successful young novelist, visits Somerset to see his mentor, Harry Quebert, one of America's most respected writers, and to find a cure for his writer's block as his publisher's deadline looms. But Marcus's plans are violently upended when Harry is suddenly and sensationally implicated in the cold-case murder of Nola Kellergan - whom, he admits, he had an affair with.
As the national media convicts Harry, Marcus launches his own investigation, following a trail of clues through his mentor’s books, the backwoods and isolated beaches of New Hampshire, and the hidden history of Somerset’s citizens and the man they hold most dear. To save Harry, his writing career, and eventually even himself, Marcus must answer three questions, all of which are mysteriously connected: Who killed Nola Kellergan? What happened one misty morning in Somerset in the summer of 1975? And how do you write a successful and true novel?
A global phenomenon, with sales approaching a million copies in France alone and rights sold in more than 30 countries, The Truth About the Harry Quebert Affair is a fast-paced, tightly plotted, cinematic literary thriller and an ingenious book within a book, by a dazzling young writer.
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AN INCREDIBLY STUPID BOOK
I would not consider another book from either the author nor the narrator. Based on the NYT review, I gave this book a fair try, but the plot is so dumb and the characters are so absolutely unbelievable, that I just couldn't go on. It is really hard for me to imagine that anyone would have published such a ridiculous book.
The characters are ridiculous! All of them, from the fifteen-year-old to the late-twenties writer to the sixty-something author -- from the pastor-father to the chief of police -- sound like the same inarticulate teenager. How many times can an author expect his characters to say, "I love him/her SO much" without the readers gagging.
Are we just getting spoiled by the fact that so many readers now are such masters of dialog and character? Craven makes every character in this book -- young and old, male and female, educated and ignorant -- sound exactly the same -- like a slightly whiny 18-year old.
I think this is a weak book from beginning to end. Jenny's mother, the original owner of the cafe is particularly annoying for her implausible cruelty toward her husband and her absolute stupidity about her daughter. Seriously, who would invite friends to a big party to celebrate a daughter's relationship to someone which whom she's had a single date. You just couldn't trust anyone in this book -- they were all entirely nonsensical.
I had hoped for a "wry' (that's what the NYT reviewer said) light mystery to get me through some long days in the garden. I gave this a real try, but if a high school senior had turned this into me in a writing class, I'd have given it a C. And I'd have given the narrator an F.
Very good--but not a blockbuster