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While The Trinity Six is set in the 21st century, John Lee’s narration recalls those old BBC radio plays from another era. Lee’s clipped English accent is muscular, maybe a little too rushed at times, but it fits the breakneck speed at which Gaddis is subsumed by the action unfolding around him. There’s often a note of incredulity in Lee’s voicing of Gaddis, which fits perfectly with an ordinary professor forced into becoming an often-reckless detective. Gaddis is in way over his head, but he’s also smart and can charm his way out situations that might otherwise get him killed. Lee hits the right notes of curiosity, anger, and fear as the thriller hurdles toward its twist conclusion.
When Gaddis goes to Russia, Hungary, and Vienna to continue his investigation, Lee gets to trot out an impressive series of accents. Since Gaddis is fluent in Russian and deals with a number of Soviet agents, Lee’s accent is realistically heavy on the consonants. The same goes for the Austrian characters, who help Gaddis escape pursuing Russian agents in an elaborate Hitchcockian thrill ride through Vienna. The female characters, including MI6 deep cover agent Tanya Acocella, come off as either too breathy or masculine, but Lee manages to give each one a distinct personality. That’s a bonus to the listener, since one of the shortcomings of Cumming’s book is that, while integral to the plot, the female characters are thinly written. But that’s a minor quibble. Sit back, have a cup of tea, and get lost in this adventure. Collin Kelley
London, 1992. Late one night, Edward Crane, 76, is declared dead at a London hospital. An obituary describes him only as a 'resourceful career diplomat'. But Crane was much more than that – and the circumstances surrounding his death are far from what they seem. Fifteen years later, academic Sam Gaddis needs money. When a journalist friend asks for his help researching a possible sixth member of the notorious Trinity spy ring, Gaddis knows that she's onto a story that could turn his fortunes around. But within hours the journalist is dead, apparently from a heart attack.
Taking over her investigation, Gaddis trails a man who claims to know the truth about Edward Crane. Europe still echoes with decades of deadly disinformation on both sides of the Iron Curtain. And as Gaddis follows a series of leads across the continent, he approaches a shocking revelation – one which will rock the foundations of politics from London to Moscow.
Customer ReviewsMost Helpful
By Ramon on 03-17-11
Fun exciting intrigues perfectly narrated.
The book has everything you could want from a spy novel and is well worth a credit (or the 20 bucks).
The story line is entertaining and believable enough to transport you into the story and keep you up till late.
Although there are some definitely moments where you could get bored, John Lee as always is able to get you through those with the sheer pleasure of listening to his voice.
Overall this book is fun, exciting and very pleasant to listen to.
33 of 34 people found this review helpful
By connie on 03-17-11
a bit disappointing, but...
I had been eagerly waiting the North American release of this book, and from the Britsh reviews, had been expecting a work of literary espionage as good as Greene or LeCarre at their best. It is good, a better than average spy novel of the traditional school, updated for today's world, but not THAT great.
I respect John Lee's narration talent, but I think he is definitely the wrong reader for this novel. It needs a "sutbler" touch. Lee can sometimes make bad prose palatable, but here (I think) he makes good prose choppy.
That said, if you enjoy novels by LeCarre, Greene, Steinhauer, or espionage without a superman protagonist pitted against a black-hatted villian, or even a fast-paced trot around Europe, this is definitely worth the credit. If you want another Ken Follet potboiler, you might want to skip this.
Maybe Cummings' next novel will be great.
23 of 26 people found this review helpful