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Publisher's Summary

Forced out of the Los Angeles Times amid the latest budget cuts, newspaperman Jack McEvoy decides to go out with a bang, using his final days at the paper to write the definitive murder story of his career. He focuses on Alonzo Winslow, a 16-year-old drug dealer in jail after confessing to a brutal murder. But as he delves into the story, Jack realizes that Winslow's so-called confession is bogus. The kid might actually be innocent.
Jack is soon running with his biggest story since The Poetmade his career years ago. He is tracking a killer who operates completely below police radar--and with perfect knowledge of any move against him. Including Jack's.
©2009 Michael Connelly (P)2009 Hachette
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Customer Reviews

Most Helpful
4 out of 5 stars
By P. Giorgio on 05-29-09

Depth & Breadth

What a great read/listen! High tension, techo-gadgetry made understandable, sick serial killers, death and near-death, careers on the line, a love affair, and steadily building tension.. just when you thought it should end... it takes off again. Narration was superb. The writing was tight and perfectly pitched. The ending explained all the questions formed over the course of the read.

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90 of 93 people found this review helpful

4 out of 5 stars
By Tony B. on 08-18-09

Great newsman fiction from Connelly

As a big fan of Audible's collection of Harry Bosch and Lucas Davenport novels (by Michael Connelly and John Sandford, respectively) I found this novel to be a very good continuation of Connelly's Bosch series. What really struck me as most impressive is the way Connelly has built a whole group of characters around the LA cop beat and newspaper scene. Bosch, of course, is at the center and gets an unnamed nod in the Scarecrow. There's another mention of Mickey Haller, the Lincoln Lawyer, and Bosch's half-brother. But front and center in this book are LA Times reporter Jack McEvoy and FBI agent Rachael Walling. Both know Bosch, but it's their relationship and teamwork that really add the spark to this book. There's a creepy villain, as usual, and a couple of plot elements that the reader is privy to that the main characters have to discover the hard way. This book is classic Connelly in every way.

The reader is very good and voices the characters very well. I found his voice very easy to listen to. The reason I only gave this four stars, though, is that there are some serious flaws in the direction of this product. The reader flubs several pronunciations, voices, and phrasings throughout the text. This is to be expected, after all the guy is doing 10+ hours of reading, but the director should catch these and suggest "we take that last paragraph again." The production is good, with excellent audio quality throughout and engaging snippets of suspenseful music at key points.
I enjoyed this book a great deal. Classic Connelly.

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20 of 20 people found this review helpful

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