The new Hercule Poirot novel - another brilliant murder mystery that can only be solved by the eponymous Belgian detective and his ‘little grey cells'.
The best-selling novelist of all time.
The world's most famous detective.
The literary event of the year.
Since the publication of her first book in 1920, Agatha Christie wrote 33 novels, two plays, and more than 50 short stories featuring Hercule Poirot. Now, for the first time ever, the guardians of her legacy have approved a brand-new novel featuring Dame Agatha's most beloved creation.
Hercule Poirot's quiet supper in a London coffee house is interrupted when a young woman confides to him that she is about to be murdered. She is terrified, but begs Poirot not to find and punish her killer. Once she is dead, she insists, justice will have been done.
Later that night, Poirot learns that three guests at a fashionable London hotel have been murdered, and a cufflink has been placed in each one's mouth. Could there be a connection with the frightened woman? While Poirot struggles to put together the bizarre pieces of the puzzle, the murderer prepares another hotel bedroom for a fourth victim.…
In the hands of internationally best-selling author Sophie Hannah, Poirot plunges into a mystery set in 1920s London - a diabolically clever puzzle that can only be solved by the talented Belgian detective and his ‘little grey cells'.
"Sophie's idea for a plot line was so compelling and her passion for my grandmother's work so strong, that we felt that the time was right for a new Christie to be written." (Mathew Prichard, Chairman of Agatha Christie Limited and grandson of Agatha Christie)
"We Agatha Christie fans read her stories - and particularly her Poirot novels - because the mysteries are invariably equal parts charming and ingenious, dark and quirky and utterly engaging. Sophie Hannah had a massive challenge in reviving the beloved Poirot, and she met it with heart and no small amount of little gray cells. I was thrilled to see the Belgian detective in such very, very good hands. Reading The Monogram Murders was like returning to a favorite room of a long-lost home." (Gillian Flynn)
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The story. I think that Ms Hannah has captured the essence of Agatha Christie's story telling style. There is a lot of reliance on dialogue to move the plot along, always interspersed with Poirot's egomanic claims that HIS little grey cells are superior to his offsider's!
The only 2 comments that I make about the book, is the setting is not a classical Christie setting - elite hotel, aristocratic home or simple English country village. (Indeed the village in this story bears more relation to Midwich that St Mary Mead!) The other comment is that the writing is a bit more detailed than I am used to with Agatha Christie, making the story a bit too long.
However, neither of these was a significant barrier to my enjoyment of the book. I congratulate Sophie Hannah on an excellent replication of a Hercule Poirot tale, and await her foray into Miss Marple's world.
Not on the edge of my seat, any more than one of Agatha Christie's stories did. What it did do well was to get me to exercise my little grey cells. I thoroughly enjoyed the many and varied red herrings as they trailed across the story.
I haven't heard Julian Rhind-Tutt previously, and I thought that his personification of Poirot was especially good. I liked his voice and the pace at which he read.
One problem that I did have was that he varied the volume of his voice rather too much, and that even with earphones that sit inside my ear, there were times when I had to turn the volume of my iPod very high (if I had time) and then, when using hie regular voice, it was much too loud.
No extreme reaction - a quiet delight that there is someone who can write a good copy of Agatha Christie's style.
If you are a Christie afficionado - read it. If you have never read Christie - read it, but then read some Christie afterwards
THE MONOTOMOUS MURDERS
Judging by thus book, I doubt it.
It will be a long time, before I try a pseudo Agatha Christie again.
Can't beat the real thing.
His performance was okay. The book was too long.
All of them;
Was bored to tears. Book was tooooooo long, did not hold my attention. Was longwinded.
Was a waste of money. Fell asleep twice. Was surprised it was still going, when I woke up.