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Publisher's Summary

In the tradition of Arianna Franklin and C. J. Sansom comes Samuel Thomas’s remarkable debut, The Midwife’s Tale.
It is 1644, and Parliament’s armies have risen against the King and laid siege to the city of York. Even as the city suffers at the rebels’ hands, midwife Bridget Hodgson becomes embroiled in a different sort of rebellion. One of Bridget’s friends, Esther Cooper, has been convicted of murdering her husband and sentenced to be burnt alive. Convinced that her friend is innocent, Bridget sets out to find the real killer.
Bridget joins forces with Martha Hawkins, a servant who’s far more skilled with a knife than any respectable woman ought to be. To save Esther from the stake, they must dodge rebel artillery, confront a murderous figure from Martha’s past, and capture a brutal killer who will stop at nothing to cover his tracks. The investigation takes Bridget and Martha from the homes of the city’s most powerful families to the alleyways of its poorest neighborhoods. As they delve into the life of Esther’s murdered husband, they discover that his ostentatious Puritanism hid a deeply sinister secret life, and that far too often tyranny and treason go hand in hand.
©2012 Samuel Thomas (P)2013 Audible, Inc.
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Customer Reviews

Most Helpful
5 out of 5 stars
By Cornelia on 07-13-13

Excellent First Novel!

Would you consider the audio edition of The Midwife's Tale to be better than the print version?

I didn't read the print version.

Did the plot keep you on the edge of your seat? How?

The person)s) who committed the murders was not even suspected until near the end. Kept me guessing.

What does Leila Birch bring to the story that you wouldn’t experience if you just read the book?

The different voices of characters, their moods and feelings.

Did you have an extreme reaction to this book? Did it make you laugh or cry?

I had great sympathy with the two main women in the story.

Any additional comments?

Please make the next books by Sam Thomas available in audio as soon as they appear!

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2 of 2 people found this review helpful

2 out of 5 stars
By Marie on 11-13-13

Only so so

The narrator of this book was so annoying I almost stopped listening. I'm not sure if my rating would have been higher if I had read the book. The main character's dialogue was so slow I wondered if there was an issue with the speed. But other characters were okay, at least from a speed standpoint. Most of the male characters who were or could be one of the bad guys sounded like old crones. When they were annoyed, they even sounded like the Wicked Witch of the West. The sitcom Italian reading of one character, with sing songy sentences and lots of words ending in "a," was laughable at times.

Bridget Hodgson, the Midwife in the title, is based on an actual person. I understand it is normal in a novel to take liberties with actual happenings in and around a character's life. I felt, however, one of the liberties the author took with Bridget's life was unacceptable. Throughout the book Bridget mourns the loss of her only two children. She doesn't mourn the death of her second husband and there were no surviving children from their brief marriage. According to the author's website, however, Bridget actually had six children with her second husband that survived to the point she named them in her will.

Regarding the story, I didn't like the Bridget. She was flat and uninteresting. Her obsession with forcing unmarried pregnant women to name the father of their bastard children became a problem for me. While I appreciate that Bridget Hodgson is portrayed as a woman of her times, I couldn't come to terms with her lack of compassion for the maid servants who had been raped or taken advantage of by their masters. When Bridget grabbed one young woman around the throat, demanded a name, and groped under her dress to see if she was pregnant, I lost any connection to her I had felt.

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2 of 3 people found this review helpful

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Customer Reviews

Most Helpful
3 out of 5 stars
By The Curator on 01-01-17

Curious quirks of narration

I quite enjoyed the story but the narration jarred in placed. There were places where the subject of the sentence was referred to by the wrong pronoun and lots of odd Americanisms- normalcy?! Even English words were mangled and I'm pretty sure the Marquis of Newcastle would be peeved to find out he was actually a large tent.

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1 of 1 people found this review helpful

1 out of 5 stars
By Shikka Russo on 05-30-17

Audio performance seemingly aimed at children.

What disappointed you about The Midwife's Tale?

The audio performance - it didn't seem to be an actor, but a teacher, talking down to children and as for the attempt at male voices... No. Just No. Where was the director? Why didn't somebody guide the poor person into a better performance.

Has The Midwife's Tale put you off other books in this genre?


Would you be willing to try another one of Leila Birch’s performances?


If you could play editor, what scene or scenes would you have cut from The Midwife's Tale?

Only managed a few mins so can't say.

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Customer Reviews

Most Helpful
4 out of 5 stars
By Aileen on 01-04-15

Enjoyable medieval mystery

I enjoyed this book. It's the first I've read of this author. I liked the main character. She is interesting and not too anachronistic in character. The plot was just complex enough, the secondary characters well fleshed out, and the setting intriguing without overpowering the story.
The narrator was good. She had a nice voice and did the various character voices well, except for one of the male characters. My only complaint was that she mispronounced so many words. The most jarring was her mispronunciation of 'apothecary' especially since one of the main characters was an apothecary. But there were so many mispronunciations throughout! All in all, though, a fairly trivial issue.
This is one I'd definitely recommend. It's an easy light read.

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