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But Will Robie may have just made the first - and last - mistake of his career....
It begins with a hit gone wrong. Robie is dispatched to eliminate a target unusually close to home in Washington, D.C. But something about this mission doesn't seem right to Robie, and he does the unthinkable: He refuses to kill. Now, Robie becomes a target himself and must escape from his own people.
Fleeing the scene, Robie crosses paths with a wayward teenage girl, a 14-year-old runaway from a foster home. But she isn't an ordinary runaway - her parents were murdered, and her own life is in danger. Against all of his professional habits, Robie rescues her and finds he can't walk away. He needs to help her.
Even worse, the more Robie learns about the girl, the more he's convinced she is at the center of a vast cover-up, one that may explain her parents' deaths and stretch to unimaginable levels of power. Now, Robie may have to step out of the shadows in order to save this girl's life... and perhaps his own.
Customer ReviewsMost Helpful
By Stan on 07-16-14
Disliked all the Sound Effects.
What did you like best about this story?
Good story with lots of turns that kept you away from the ending.
Any additional comments?
I just didn't like all the sound effects, didn't feel they added anything to the story.
69 of 72 people found this review helpful
By Bill on 08-23-15
Story Is OK. Performance, Not So Much.
No review this time. Just some quick notes.
The novel starts slowly. It takes awhile for the plot to grab your interest. But once it does, the ride is good fun.
The concluding tying up of loose ends is hackish. Build the conclusions into the plot. Don't wait for the last few chapters and then have the characters amaze each other with descriptions of how each plot line was resolved. At best, this is evidence of a lazy writer. At worst, an incompetent one. Baldacci is fully competent. He can do much better.
Narration is uneven. Female voices, in particular, seem miscast. An FBI agent with such a strong, though intermittent, Brooklyn accent?
Audio production is awful. The sound effects and music are distracting, making it impossible to lose yourself in the story. This audiobook would work better with less: fewer narrators (McLarty could handle it better alone), fewer sound effects, less music. It might be good for Baldacci to remember: One reason many of us prefer books to, say, movies, is that books allow our imaginations to "fill in the blanks." The sound of a stereotypical bullet adds little; and has a cost.
Conclusion? Decent escapist fiction. But probably a story better READ. Buy the book. Skip this audio.
77 of 81 people found this review helpful