The Crime Writer

  • by Gregg Hurwitz
  • Narrated by Scott Brick
  • 10 hrs and 55 mins
  • Unabridged Audiobook

Publisher's Summary

Drew Danner, a crime novelist with a house off L.A.'s storied Mulholland Drive, awakens in a hospital bed with a scar on his head and no memory of being found convulsing over his ex-fiancee's body the previous night. He was discovered holding a knife, her blood beneath his nails. He himself doesn't know whether he's guilty or innocent. To reconstruct the story, the writer must now become the protagonist, searching the corridors of his life and the city he loves. Soon Drew closes in on clues he may or may not have left for himself. And as another young woman is similarly murdered, he has to ask difficult questions - not of others but of himself.


What the Critics Say

"Hurwitz's L.A. thriller has noir pulp chutzpah in spades." (Publishers Weekly)
"Hurwitz's insights about L.A. life sound knowing and are often ruefully funny, e.g., 'L.A., where a porn star runs for governor and an action figure wins.' Crime fans looking for something different will love this one." (Booklist)


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Customer Reviews

Most Helpful

King of the simile

Another example of a good idea that wasn't. Hurwitz's story has some interesting twists and turns, and in the hands of a better writer, this one could have been great. I would have loved to have seen what Michael Connelly or Stephen Cannell could have done with it. It shocks me that at the conclusion of the reading, an interview with the author revealed that he had been an essayist before starting a new career in fiction. One would think that an accomplished essayist would not have had to put a simile in every single sentence (or maybe it just seemed that way). After a while, it was nauseating and totally detracted from the story. Memo to writers: WRITE THE STORY AND STOP TRYING SO HARD! A great tale will flow, on its own, and doesn't need verbage describing a bruise over the protagonist's eye as "sprouting broken blood vessels like the hairs on Medusa's head". Ugh. To borrow from Hurwitz's style: like a child oversated on dime-store chocolate who finds he no longer wants his dinner, I won't be going back for more.
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- Lloyd

depressing, bad narration

This book is depressing even for a crime thriller, the main character just went thud for me despite Scott Brick (and I usually like Brick a lot) and his OVER-narration; he just goes way too far here, it is performance art gone crazy. Unless you love the writer, and even if you do, THINK TWICE.
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- Rhonda

Book Details

  • Release Date: 08-31-2007
  • Publisher: Blackstone Audio, Inc.